Tuesday, December 17, 2013

Smashwords Unveils Major Website Redesign

Smashwords today unveiled our first major website redesign since our launch in 2008.

We made hundreds of changes large and small.  We also made technical changes behind the scenes that will lay the groundwork for us to introduce many new tools and features for authors and readers alike in 2014. 

Among the highlights of the redesign:
  • The Smashwords home page – We doubled the number of books listed on the Smashwords home page from ten to 20, added 27 new book category filters to increase discoverability, added live stats for the number of books published and the number of free books, and organized the navigation elements around logical categories.
  • Responsive design – We adopted what’s called a “responsive design,” which among web designer circles refers to a design approach that optimizes the user’s experience across different browsers, devices and screen sizes.  View the site on your desktop computer and then resize your browser to see how every page’s content resizes and reorients as you make the width narrower or wider.
  • Dramatically enhanced mobile support – Our previous mobile version of the site was, to put it kindly, limited.  The new mobile experience – whether you’re accessing the site from a smart phone or tablet – is darn near beautiful.  Our improved mobile support is enabled by our responsive design.  It preserves user access to nearly all the same features you’d expect from a large browser on a desktop computer, making it easy for mobile users to browse and discover books without pining for a larger screen.
  • Redesigned book pages – The new book pages make it faster and easier for readers to discover, sample and purchase books.  The download links have been moved to the top section of the page to minimize scrolling.  New slider bars display book covers of other books in the same series, other books by the author, and other books by the publisher.
  • Updated Dashboard – The Dashboard features that once occupied the vertical left navigation column have now been moved into grids at the top of the page, organized under categorizes of Sales Reporting, Metadata Management and Marketing & Distribution Tools.
  • Updated Account Page – The Account tab has been reorganized around logical categories to give you quicker access to the controls you want.  The categories include About Me, Buying Books, Selling Books, Payments for Authors and Publishers, and Account Status.
  • Updated Library – We actually rolled this out a couple weeks ago but didn’t announce it.  The library is now faster, prettier and provides better support for power-users with hundreds of books.
Despite all the changes, we took special care to maintain the utility and familiarity of all the main features that our million+ monthly visitors have come to expect. 
 
Did I write “million+”?  Yes.  The Smashwords site receives millions of visits and over 10 million page views each month. 

Do you know writers who haven’t yet published at Smashwords?  If so, please let them know what they’re missing.

Special thanks to Case Talbot (the fine woman who also created Smashwords Interviews) on our engineering team who led this effort, as well as our design consultants Jami and Bryan at 2Wongs Studios, and Smashwords authors, customers and team members who contributed to this redesign.

Our work is not finished.  We view today’s refresh as the first of many iterative steps that will make it easier for our authors to publish, distribute and manage their books, and make it easier for readers to discover and enjoy them.  We look forward to your comments, suggestions and bug reports.

Tuesday, November 26, 2013

Four Smashwords Fantasy Authors Featured in iBooks Promotion

Apple iBooks in Australia and New Zealand today launched a top-of-the-store promotion featuring ten emerging fantasy authors.


Four of the featured authors are Smashwords authors.  Congrats to James Maxwell, T.C. Southwell, Dionne Lister and Joseph Lallo! The other six featured authors are from traditional publishers.

Although we're only a few hours into the promotion, featured titles from James Maxwell, Joseph Lallo and TC Southwell already occupy three of the top four most downloaded free books in the sci-fi & fantasy category at iBooks Australia.  Thank you Apple!

The promotion will run for approximately two weeks.  Australian and New Zealand iBooks users will see the promotion at the top of the iBooks app.  The promotion can also be viewed in iTunes at http://bit.ly/1e62TFa

Wednesday, November 20, 2013

How to Add Navigation to a Smashwords Ebook

Does your Smashwords ebook contain navigation?  Are you taking full advantage of navigation?

This afternoon I produced and uploaded a new Smashwords tutorial video that shows you how to add navigation to your Smashwords ebook.

Use the video as a companion resource to Step 20 of the Smashwords Style Guide, where we have additional tips on how to add navigation to your ebook. [Two updates:  1.  Box Sets:  Added a new section for Box Set authors.  2.  For Mac Users:  Added a special bookmarking and ToC hyperlinking instructionsat the end of this post]

One of the advantages of ebooks over print books is that ebooks can contain navigation.  Hyperlinks within your book can link to chapters, Parts, or special sections.  These links make your book more accessible to readers.


You can also use links to draw your reader's attention to important end matter (a.k.a. back matter) sections of the book that help you sell more books.

Few authors take full advantage of their end matter.  Some authors will simply end their book with the words, "The End" and then leave the reader hanging at the very moment the reader wants more.  Give them more!

Here are a few examples of the end matter sections you can create, and then link to from your linked ToC:

1.   About the author - place a short bio here so readers can learn more about you.

2.   Other books by this author - The reader just finished your book and is craving more from you.  Tell them about your other books.  If you have a book on preorder, let them know the preorder is available at select retailers (Smashwords distributes preorders to Apple, Barnes & Noble and Kobo).

3.  Connect with the Author - The reader loved your book, they think you're the bees knees, and they want to connect with you.  Add your coordinates for Facebook, Twitter, your blog, your website, your Smashwords Interview, your Smashwords author page, or your mailing list. Once a reader connects with you via social media, they can start to get to know you and appreciate your super-awesomeness on an entirely new level.  It's an opportunity for you to start a long term relationship building process that can help casual readers become fans, and help fans grow to become super fans. 

4.  Sample chapters of other books - Give them a taste of your other books!

5.  Reading group guide - Create a special section for reading groups with suggested questions that would spark thought-provoking discussion and debate.  This is an opportunity to turn one reader into many, because it'll encourage reading group members to propose your book as the group's next read.

Your book might already have one or more of these sections.  If you don't have them all, consider upgrading your book with these new end matter sections, and with a linked ToC to tie them altogether. The video, and the recently updated Style Guide, will give you ideas to take your book to the next level.

Special thanks to Smashwords bestseller Samantha Towle.  Samantha gave me permission to use her new contemporary romance, Trouble, in the creation of this video.  I used her book as an example of how to add useful navigation in Microsoft Word.  

Navigation Tips for Box Sets and Multi-author Collaborations

More than just about any book, box sets really need a robust NCX, which is the book's external Table of Contents you see whenever you click the Table of Contents option on your ereader device.  The secret to creating a great NCX is to start with a logical Linked Table of Contents.  As we mention in Step 20 of the Style Guide (the section that explains how to add navigation) and video above, when you create a linked Table of Contents, Meatgrinder will use your linked ToC to guide the creation of the NCX.  This gives you great control.

Let's assume you're formatting a five-book multi-author box set of travel memoirs titled World Travelers.  Here are the items you might place in your Linked Table of Contents:

Table of Contents

About World Travellers
Book One - Jane's Memoir by Jane Austin Smith
 About Jane Austin Smith
Book Two - Joe's Fantastic Adventures by Joe Williams
 About Joe Williams
Book Three - Hitchhiking through Africa by Celena Scott
 About Celena Scott
Book Four - Exotic Restaurants of Instanbul by Freddie Mackin
 About Freddie Mackin
Book Five - Hiking the Appalachian Trail by Jodie Anderson
 About Jodie Anderson

Each of the items above would be hyperlinked, with the hyperlinks pointing to the bookmarks corresponding to the start of each section.  In the example above, we'd identified the start of each key section.  If you want to go further, you could even link to the primary subsections within each book, though be careful not to go overboard because too much navigation can become overwhelming to the reader. See the YouTube video on Smashwords navigation to see the navigation creation process in action.  Once you see how to do it, it's easy and the final result will give your readers a great navigation experience.

How to get multiple authors in the metadata:  Smashwords can connect multiple authors to your box set.  Simply gather the hyperlinks for each participating author's author profile page at Smashwords and send the request with the hyperlinks to the Smashwords support team.  You'll find the link to the support team at the bottom of any Smashwords website page, or by clicking the question "?" mark at the top of any page.

Special Navigation Instructions for Mac Word users:  

 The Smashwords Style Guide, and the video tutorial above, show how to create navigation using the PC versions of Microsoft Word.  If you use a Mac, the same principles of navigation as explained above, and in the Style Guide and video, also apply to Mac Word users.  However, the menus within Word for Mac are different.  The image below shows the location of the options that allow bookmarking and hyperlinking.  Click the image to expand.




Friday, November 15, 2013

Smashwords Integrates with Dropbox for Faster eBook Delivery to Tablets and Smart Phones

Smashwords today added a Send to Dropbox feature that instantly transfers a purchased ebook to a customer’s Dropbox account.

Dropbox acts like a virtual hard drive for many tablets and smart phones, making it faster and easier for readers to load Smashwords ebooks onto their favorite tablet or mobile smart phone.  No cables necessary!

Devices that support Dropbox include the iPhone, iPad, iPod Touch, Android tablets and smart phones, Google Nexus tablets, Nook tablets (Nook HD/HD+, Nook Color, Nook Tablet), Kindle tablets (Kindle Fire, Kindle Fire HD), and many others.

The new Dropbox feature is easy to set up.  Here’s how:

1.  From your Smashwords Account tab, click Manage eDelivery.  You’ll see the link button.  Click it.


2.  On the next screen, sign in to your Dropbox account.  If you don’t have an account, click the “create an account” link to create one.  It’s free.

 
3. Finish linking your Dropbox account with Smashwords by allowing us to create a Smashwords folder in your Dropbox account.  Click "Allow" when asked.



4. If you haven’t done so already, download the free Dropbox app to your e-reading device.  Apple, Nook and Kindle devices have their own app store where you'll find the app.  If you use an Android device other than Kindle or Nook, you can download the Dropbox app in the Google Play store. 

5.  Also make sure you’ve downloaded an e-reading app to your device.  For Apple devices, iBooks is great.  You can also use Bluefire.  For Android devices, Aldiko is great.  Kindle and Nook tablets don’t require an e-reading app.

6.  Each time you purchase an ebook at Smashwords, we’ll automatically transfer up to three file formats – epub, mobi and PDF – to your Dropbox account.  File format availability is determined by the author or publisher.  You’ll find your files in Dropbox’s “Apps/Smashwords” folder.

7.  You can transfer previously purchased books to Dropbox by clicking the Send to Dropbox button in your Smashwords Library.

Learn more about the new Smashwords eDelivery feature at https://www.smashwords.com/edelivery/info or click the Manager eDelivery link under your Account tab. 

Below is a tutorial video.


Enjoy!

Tuesday, November 12, 2013

Bowker Ranks Smashwords the #1 Producer of Indie Ebooks in 2012 in New Report

Bowker has ranked Smashwords the largest US producer of indie ebooks in 2012 according to their new annual Self Publishing Report for 2012.

Smashwords was also ranked as the second largest producer of self-published books after CreateSpace when counting the combined production of both print books and ebooks (Smashwords doesn't do print).

Bowker, the ISBN registrar here in the US, bases their data on ISBN registrations.  Although their data set doesn't include non-ISBN'd books, it represents the industry's most comprehensive measure of the rise of self-publishing and the rise of ebooks. 92% of Smashwords ebooks carry an ISBN.

According to Bowker's analysis of U.S. ISBN data, the number of self-published titles in 2012 jumped to more than 391,000, up 59 percent over 2011 and 422 percent over 2007.

Bowker says ebooks continued to gain on print, comprising 40 percent of the ISBNs that were self-published in 2012, up from just 11 percent in 2007.

Although I'm pleased to see Smashwords come in at number one, I'm even more excited about what Bowker's overall data says about the rise of self-publishing.  Indie authors are taking publishing matters into their own hands.

The three most essential requirements of professional publishing - the printing press, the access to retail distribution, and how-to knowledge of professional publishing best practices - are now freely available to all indie authors.  Smashwords is committed to providing writers these tools.

Any writer, anywhere in the world, now has the freedom to publish without a publisher, and can do so at little to no cost.  As indie ebook authors, these writers can enjoy faster time to market, greater creative control, closer relationships with readers, greater price-competitiveness, better marketing and promotion tools, and royalty rates four to five times higher than they'd get from traditional publishers. 

The day will come when more writers aspire to indie publish rather than traditionally publish.  Is the industry ready?

Congrats to every Smashwords author and publisher.  You're changing the world of publishing one indie ebook at a time.

Download the Bowker report for free at their SelfPublishedAuthor blog.

Tuesday, October 29, 2013

Examining the Business Model of Ebook Subscription Services (Part I)

This is the first installment of a two-part series in which I explore the business models and potential impact of ebook subscription services.

In recent months, we’ve witnessed the launch of two high-profile ebook subscription services – Oyster and Scribd.  Both aim to do for ebooks what Spotify did for music and what Netflix did for film and television entertainment.

They’ll provide readers access to an all-your-eyeballs-can-eat smorgasbord cornucopia of thousands of ebooks for a subscription fee ranging from only $8.99 per month (Scribd) to $9.95 per month (Oyster).

When talk of ebook subscription services surfaced in months past, there was much hand-wringing in the publishing community that such services would devalue books and harm publishers and authors. 

Yet as the launches of Oyster and Scribd indicate, some (but not all) of those skeptics were silenced once they learned the publisher-friendly nature of the compensation models.  Several small publishers and one Big 5 publisher – HarperCollins – signed on to work with both Scribd and Oyster.  Smashwords announced an agreement with Oyster last month. We're now in the process of shipping over 200,000 ebooks to them as I write.

I’m a fan of both services because I think if they succeed, they’ll make reading more affordable, more accessible and more convenient for a segment of the reading public.  I think they’ll expand the overall market for books.

In public, Scribd and Oyster have been conspicuously cagey about the nitty gritty details of how they compensate publishers.

Trip Adler, CEO of Scribd, provided Jeremy Greenfield of Digital Book World clues to their model when he commented, “When somebody reads a book, we pay a publisher as if they sold the book. We have a fairly complicated system to determine if a consumer actually has read the book. The amount the publisher gets is based on the digital list price.”

Separately, Adler told Laura Hazard Owen of Paid Content that Scribd plans to be more public about the terms in the future.  Paid Content also reported that HarperCollins CEO Brian Murray told Publishers Lunch, “We have negotiated very hard, to the point where if the whole business went this way, we and our authors would be very pleased, because the economics are more favorable…[it's] the exact opposite of the music industry’s subscriptions models. The revenues that go to our authors is up, somewhat significantly.” 

To my knowledge, no other Big 5 publishers have signed on, at least not yet.

The ebook subscription services face an interesting business challenge.  For any new ebook purveyor to succeed, it must satisfy three primary stakeholders:  1. Customers (readers).  2. Suppliers of the product they sell (authors and publishers).   3. Itself (it must earn a profit so it can keep the lights on and reinvest in its business).

If the subscription services sign up millions of people who never read, they’ll earn high profits but will disappoint publishers.  Disappointed publishers will bail and subscribers will cancel.  If the subscription services sign up too many power-readers, they’ll go out of business, thereby denying readers and publishers the benefit of their service.

If the services can strike the right Goldilocks balance of serving readers, publishers and their own business interests, they have the opportunity to build the next generation of successful ebook purveyors.

The services should be especially appealing to power readers, who can now read an unlimited number of books for only $9.95 per month.  Can these subscription services turn a profit in the face of these book gluttons?

The answer, I think, is yes.

Just as an all-you-can-eat buffet will lose money on the gluttons, so too will the ebook subscription services lose money on some subscribers.  But just like the eateries, the ebook subscription services are betting that that the vast majority of users will consume in moderation over time.

Perhaps an even more apt parallel would be how health clubs sell memberships.  They know that many subscribers rarely take full advantage of their services.  A health club membership, like an ebook service subscription, is often an aspirational purchase for subscribers.  As long as the reader wants to increase their reading in the future, they’re likely to maintain their subscription, even if they don’t actually read more.

Would the success of subscription services harm ebook retailers?  Not necessarily.  Book gluttons are likely to consume more books with subscription services than they could otherwise afford to buy, so their increased reading doesn’t necessary represent a lost sale to retailers.  Subscribers to ebook subscription services – the gluttons included – will still continue purchasing books at retailers because retailer catalogs offer greater selection.  Apple carries over two million books, whereas until recently Oyster carried only 100,000 books.  Four of the big five NY publishers aren’t distributing books to Oyster and Scribd yet, which means readers who want their books must purchase them at a retailer.  Even HarperCollins, which was the first big five publisher to dance with Oyster and Scribd, isn’t supplying its entire catalog of books to the subscription services.

Indie authors may hold the key to the success or failure of the new subscription services. 

At a time when the large NY publishers are over-pricing most of their ebooks, the average price of the books from Smashwords authors is about $3.15, and the median price is $2.99.  This means subscribers can enjoy more indie reading at less cost to the subscription service.  Smashwords will also supply over 20,000 books carrying a retail price of FREE to Oyster, which means Oyster subscribers can enjoy these titles with gluttonous abandon at no cost to Oyster.

This concludes part one of this two-part series.  Click here to read part II, where I examine how ebook subscription services will redefine the value of the book.

How Ebook Subscription Services May Redefine the Value of Books (Part II)

In part one of this two-part series, I examined business models of the all-you-read ebook subscription services.  Here in part two, I’ll examine how ebook subscription services may redefine the value of books.  The answer isn’t quite as obvious as we might think.

Way back in 2009, one of my first posts for Huffington Post was titled, “Why we Need $4.00 Books.”

In that post, I argued that publishers had an opportunity to utilize the then nascent ebook format to expand their global readership by offering low-cost ebooks.  I thought the lower price point would appeal  to a new group of readers in the same way that the introduction of the mass market paperback format increased readership over the previous hardcover format.  I believed low-cost ebooks were inevitable, and if publishers failed to provide them, someone else would.

In the four years since, that someone else was the indie (self-published) author.  Publishers have resisted dramatic price drops for fear of cannibalizing existing print and ebook sales.  Partially thanks to low prices, but also because of increased quality and professionalism, indie authors are now capturing an ever-increasing percentage of the ebook market, and an ever-increasing percentage of slots in all bestseller lists.

Enter ebook subscriptions such as Oyster and Scribd, where consumers pay under $10.00 per month to read an unlimited number of books.

What happens now to our notion of the value of the book?  If publishers were terrified four years ago by the prospect of low-cost ebooks, and terrified the same year when Amazon priced their ebooks below cost at $9.99, should they be terrified now of ebook subscription services?
No.  If publishers refuse to support these new subscription models, they'll continue to lose marketshare to those who do.

Of the big five New York Publishers, only HarperCollins has embraced the subscription services, yet it isn’t supplying its entire catalog.  Meanwhile, a large number of large independent publishers such as Sourcebooks and Workman have entered into agreements.  Smashwords announced an agreement with Oyster last month.  As I mentioned in part one of this two-part series, Smashwords today is midway through the process of shipping over 200,000 ebooks to Oyster, including over 20,000 books priced at FREE.

If these new subscription services are successful at attracting millions of readers, and if they can build viable, profitable businesses, what would that mean for the value of books?  The answer is more complex than we might at first think.

A fascinating characteristic of these services is that once a subscriber is enrolled, the service provides a virtually frictionless ebook consumption experience.  See a book you want to read?  Start reading now with a click, without the hassle of clicking a buy button, or entering your credit card information, or taking a financial risk on an unknown author or an unknown book.  Click and read, and if you don’t like the book, the reader has no worries and no buyer’s remorse.  They’ll just click to the next, all without concern of their end-of-month credit card bill.

Subscription services make books feel essentially free to their subscribers.  This means consumer purchase behavior will be liberated from the cognitive calculus every consumer performs at conventional retailers when they weigh their desire for a prospective purchase against the list price of that book.  As we found in the last two years in our annual Smashwords survey, and as conforms to general economic theory, lower cost goods generally get consumed more.  The human species and psyche evolved to binge in times of plenty and conserve in times of scarcity.

In the 2013 Smashwords survey, we found that free ebooks at Apple get 91 times more downloads than books carrying a price.  Across all the retailers in our study, we found that $2.99 and $3.99 ebooks were purchased, on average, about four times more frequently than ebooks priced $7.99 and up.

What happens when every book feels free from the consumer’s perspective?

When this dynamic plays out, I think the publishing industry will gain fascinating insight into what readers really want to read in the frictionless environment of zero-cost book shopping.

Will some Smashwords books already priced at FREE become more popular than their $12.99 competitors from the big publishers?  In some cases, it'll happen.

Friction-free subscription ebooks will alter the competitive fight for reader eyeballs.  The reader won’t know the difference between a free book and a $12.99 book.  Since the retail price is almost irrelevant to the reader, the authors and publishers listed in these subscription services can’t compete on price.  Instead, it’ll be more about the book.

I think the six most dominant consumption drivers will be as follows:

  1. Word of mouth – Are my peers and friends recommending the book to me?  Does it have super-fabulous “WOW” reviews from other readers?
  2. Cover image – The cover image is the first impression a book makes on a prospective reader.  Does it capture the reader’s eye and make them want to click and read?
  3. Book title and description – Does the title and description amplify the desirability established by the cover?  Do they promise the reader the experience they seek?
  4. Author brand – Much to the chagrin of publishers, the publisher’s brand on a book’s spine has never meant much to readers.  The author brand is what drives readers more than anything.  If the reader trusts the author to give them a great read, then that author will get more readers. Author brand will probably give big publishers some early advantage in the ebook reading game with subscription services because publishers still control the biggest name authors, and because indies aren’t able to underprice in the subscription sandbox.  This edge will erode over time as indie authors continue building massive fan bases with low prices at conventional retailers, and as more big name authors migrate to indie publishing (if ebook subscription services become a large an important channel for reaching readers, and big publishers refuse to make their books available to these services, it will accelerate the defection of big name authors to self publishing).
  5. Subscription service merchandising – The subscription services, like ebook retailers, operate reading platforms that house a massive collections of books.  Like ebook retailers, the subscription services will merchandise and promote certain books above others to their subscribers.  They’ll seek to recommend books that will please their subscribers.  A great recommendation will make the subscriber happy, increase subscriber loyalty, decrease subscriber churn, and make the subscriber more likely to heed future recommendations from the service.  A poor recommendation will have the opposite effect – loss of trust and loss of subscribers.  This means subscription services will be incentivized to recommend high-quality books.  This means high-quality, low-cost ebooks from indie authors are likely to have a merchandising advantage over traditionally published books of equal quality but higher cost (once we complete our initial deliveries to Oyster, we’ll supply them a ranked list of Smashwords bestsellers to assist their merchandising).
  6. Author marketing – Indie authors are building captive fanbases on Facebook, Twitter, blogs and on their private mailing lists.  Authors have the power to direct their fans to stores.  Will authors promote these subscription services with the same – or more – gusto than they promote their conventional ebook retailer outlets?  Authors who distribute to the subscription services, at least initially, will face less competition for readers because they’re competing against a few hundred thousand books, rather than millions of books at the major retailers.
Now back to my original question.  How will ebook subscription services redefine the value of books?  The answer isn't cut and dry.  If readers enjoy consuming books as a utility service, and these new subscription services take off, then readers will no longer think of books as having prices in the same way they once did.  Reading will become an on-demand experience.  Readers will feel closer and more connected to books.  If reader engagement with books increases, book access will become more valuable to readers.

If these services are successful, the dollars will flow to authors and publishers that maximize access and availability. I suspect that authors and publishers that make their books available to the subscription services will also experience greater sales through conventional retail channels, and if that happens the dollars spent on books will increase further, causing books to become more valuable, and more rewarding to the authors and publishers who produce them.

Indie authors are best positioned to thrive in this new world of ebook retailing where readers demand high-quality, low cost, high-availability books.

Tuesday, October 22, 2013

Apple iBooks Promotes GJ Walker-Smith's Saving Wishes as Book of the Week


Congratulations to Smashwords author G.J. Walker-Smith.

Apple today named G.J.'s free series starter, Saving Wishes, their Book of the Week in the US and Canada iBooks stores.  The title is receiving prominent front-page promotion on iBooks for the next seven days.

[Update November 1: Apple iBooks Australia and New Zealand have now also named Saving Wishes their Book of the Week.  Promotion running through Thursday, November 7!!]

The timing is great for G.J. because the third title in her series, Storm Shells, has been on preorder at Apple for over two months and is set for a release of November 11.  Based on its accumulated orders prior to today, it already had a high probability of hitting #1 at several of Apple's iBooks stores around the world when it goes onsale.  This week's Book of the Week promotion will only help because she still has another couple weeks to accumulate more orders.

G.J. provides Smashwords authors a great mini-case study on how to leverage the iBooks store to reach thousands of readers.  iBooks is now the world's second largest global ebook retailer, and it offers a wealth of merchandising opportunities for savvy authors.

Preorder Storm Shells at iBooks
How does an author get selected for such merchandising love?  It's not easy, but as I describe in my new iBooks Merchandising workshop viewable now at YouTube, there are a number of things Smashwords authors can do to maximize their odds.

The merchandising team at Apple has over 2 million books to choose from when selecting their Book of the Week, which means the odds of any one title receiving such merchandising love is extremely rare.  With only 52 weeks in the year and so many books to select from, the odds of any one title being selected is about 1 in 50,000.  Yet multiple Smashwords authors have already been selected.

How'd they do it?

One of the great things about Apple's selection process is that it's merit-based.  The titles they select have earned it, often by implementing many of the best practices I so often encourage our authors to adopt (click here for my video workshop on best practices).  In G.J.'s case, she made a number of smart moves, each of which contributed to her selection for this promotion.

At the risk of oversimplifying (and yes, this is an oversimplification!), here's are five things she did right:
  • 1.  List *all* your books on Apple - This is a no-brainer and should go without saying, yet many authors don't yet have their books at Apple.  If your titles are locked up elsewhere, such as in KDP Select's exclusive program, you're missing out on the world's second largest ebook selling platform.  Millions of customers only shop at Apple iBooks.  It's important to have your entire list at Apple.  If you have an incomplete collection of books at Apple, they're less likely to promote your books.  Smashwords makes it fast, free and easy to get your books listed at all 51 of Apple's iBooks stores.  G.J. has all her titles at Apple distributed via Smashwords.
  • 2.   Write a super-awesome book that delivers extreme satisfaction to readers - G.J.'s books get "WOW" reviews at Apple.  Apple's customers love her.  If you earn the attention of Apple's customers, you'll maximize your odds of gaining the attention of Apple's merchandising team.
  • 3.  Great covers - G.J. has beautiful, professional-looking covers.  There's a consistent design theme across the covers, which helps unify the series.  Your cover is the first impression you make on a reader.  A poor cover chases readers away.  A great cover invites them in.
  • 4.  Leverage FREE - Saving Wishes is a free, full-length series starter clocking in at over 100,000 words.  It's only been published since May, but because it's FREE it helped her build a massive following with Apple customers worldwide in a short period of time.  When you price at free, you eliminate the financial risk readers must take when they purchase a book from an unknown author.  In other words, you eliminate a key friction point that might prevent a reader from giving you a chance.  By giving the reader a full-length series starter, G.J. has over 100,000 words through which to earn the reader's trust.  By the end of the book, G.J. has earned the reader's trust with her writing.  The reader is emotionally invested in the characters and story, and they're more likely to purchase the next books in the series.  And that's what's happening.
  • 5.  Leverage preorders - G.J. followed the recommended best practices for doing a successful preorder with her forthcoming book 3, Storm Shells.  When Smashwords launched our new preorder distribution feature a few months ago, I encouraged authors to allow at least 1-2 months preorder runway.  She gave the preorder ample runway - in this case over two months -  to accumulate orders.  With a free series starter driving sales of book 2, she had both book 1 and book 2 working for her this entire time to drive orders to Storm Shells' preorder.  A preorder allows the author to capture the reader's order at the moment they have the reader's attention and interest - right when they finish another book of yours and want to read more!  Thanks to the high number of accumulated orders for Storm Shells, it gives Apple increased confidence that their customers are excited about her books, and therefore gives Apple greater confidence to promote the book and the author to a broader audience.  Preorders give retailers yet another reason to promote your book.
These five items above can't entirely capture the multi-faceted factors that drive the selection process at Apple.  View my Apple merchandising workshop for more tips.

Most authors will never receive this kind of merchandising love, though I can tell you that the mere process of working to earn and deserve such merchandising promotion will help your book become more successful. If you implement best practices, and take full advantage of the talent and tools you have at your disposal, you will reach more readers, even without the boost of merchandising love.

I've written before about my concept of Viral Catalysts.  A Viral Catalyst is anything that makes your book more available, more discoverable, more desirable and more enjoyable to readers.  Viral Catalysts drive word of mouth.  Key to the Viral Catalyst concept is that there's no single magic bullet that helps an author become a bestseller.  A successful author must do many things right, while avoiding mistakes that can undermine success.

If you'd like to learn more about G.J. Walker Smith, check out her Smashwords Interview.

Sunday, October 20, 2013

Smashwords Ebook Publishing Workshops on Youtube

I've posted a series of five ebook publishing workshops at Youtube.  Each is embedded below.

Whether you're considering publishing an ebook for the first time, or you're already an ebook publishing veteran, I hope you enjoy these workshops and learn new ideas that will help you publish with greater ease, confidence and success.

In total, they run eight hours.  It's like an all-day digital publishing seminar you can attend at your leisure.  Although the videos can be watched (or listened to) in any order, if you're new to ebook publishing, then start with #1 since it explains foundational information that will make the other videos more useful to you.

The ebook publishing workshop series includes:

#1 - An Introduction to Ebook Publishing (a primer and e-publishing checklist)
#2 - The Secrets to Ebook Publishing Success (best practices secrets for reaching more readers)
#3 - Smashwords Survey Helps Authors Sell More Books (pricing strategy and fun metrics)
#4 - 10 Trends Driving the Future of Authorship (indie authors are the future of publishing!)
#5 - How to Reach More Readers at Apple iBooks (merchandising secrets to grow sales!)
#6 - How to Add Navigation to Smashwords Ebooks (create a linked Table of Contents and NCX)


I've embedded each of them below.  If you enjoy them, please feel free to share them with a friend or embed them and repost them on your blog or website.

#1 - An Introduction to Ebook Publishing (a primer and e-publishing checklist)



#2 - The Secrets to Ebook Publishing Success (best practices secrets for reaching more readers)



#3 - Smashwords Survey Helps Authors Sell More Books (pricing strategy and fun metrics)



#4 - 10 Trends Driving the Future of Authorship (indie authors are the future of publishing!)



#5 - How to Reach More Readers at Apple iBooks (merchandising secrets to grow sales!)
This is a video recording of an online workshop event sponsored by ALLi, the Alliance of Indepedent Authors.  Thanks to Orna Ross of ALLi for recording and sharing this video!




 #6:   How to Add Navigation to a Smashwords Ebook (build a lined Table of Contents and NCX)




We'll develop more videos for the Smashwords Youtube page in the future, including shorter videos.  If there's a tutorial you'd like to see us create, post your wishlist below!



Tuesday, September 10, 2013

New Smashwords Series Manager Improves Book Discovery


Smashwords today released a powerful new tool called Series Manager that makes series books more discoverable.

Series Manager allows series writers to attach their books to series, and manage multiple aspects of their series metadata.

The new feature is available now in the Smashwords Dashboard under the Series Manager link.

Once authors organize their series titles within Series Manager, readers can easily identify books within a series, or across related series.  Just as importantly, series metadata will give our retailers greater flexibility to promote books within a series.  Let's say, for example, a retailer wants to do a merchandising promotion of the top 50 bestselling Smashwords series that have a free series starter.  Without the series metadata, it would be nearly impossible for Smashwords or our retailer to accurately identify which books are in a series, and in which order.

It's not uncommon for the books in some series to make no reference to their series in the book title, book cover or book description. This makes it difficult for readers to identify all the books in a series, or books in related series, and makes it difficult for retailers to properly merchandise them.  Series Manager helps solve this problem.

With Series Manager, authors can easily attach books - including preorder books - to a series using point and click check boxes. Simply click to your Dashboard, click Series Manager, click Create New Series, then attach the books.  Authors can select from multiple series numbering methodologies such as Book 1, Book 2; or Book I, Book II; or Part 1, Part 2; or no. 1, no. 2; or you can dispense with series number and simply give the series name, such as "Fellowship of the Rings."


Series books can be members of multiple series, all
controlled within Smashwords Series Manager


Authors can even connect books that span more than one series.  For example, the Smashwords Style Guide is a member of two series, Smashwords Guides and Smashwords Style Guide Translations.

If you've written series with spinoff series, this is a powerful feature that will make it easier for fans to identify books within a series, and discover new books in your related series.

You can also identify the ideal sequence of books within a series.  For example, if the Star Wars movie series was a book, you might want to designate that the Prequel to episodes 1, 2 and 3 should be enjoyed after the first three in the series.


Smashwords will provide the new series metadata, as input by the author or publisher, to our retailers.  Each retailer will handle the metadata differently.  Some will make use of all the data, and others might cherry pick.  Either way, the improved metadata will make it easier for retailers to enhance the discoverability of Smashwords books today while having the capability to develop improved discoverability features in the future.

The series metadata will also increase the discoverability of series titles in the Smashwords store. Within each book's listing, whether it's on the book's book page or in the search results, we'll display the series to which the book is connected.

If the book is attached to more than one series, then the other series will appear as well.   In the example at left which shows the book page, the Smashwords Style Guide is a member of two series.

Series names are clickable.  Readers can click the series title and view a dedicated series page, such as my page for the Smashwords Guides.  Incorporate the link into your marketing.  If you're doing a marketing campaign around a single series, provide fans a direct to your series page.

We look forward to your feedback as we enhance this feature.

Thursday, September 5, 2013

Smashwords Signs Distribution Agreement with Oyster

Smashwords today announced a distribution agreement with Oyster, a new and innovative ebook subscription service.  Oyster offers consumers unlimited access to more than 100,000 ebooks for $9.95 per month.

I’ve been following the ebook subscription space for some time.  As an ebook distributor, our job is to search out the most compelling opportunities to help our authors connect with reader eyeballs.  Oyster is one such opportunity. 

The closest analog to Oyster in the music business is Spotify, and in the video rental business it’s our Los Gatos neighbor NetFlix.  The closest, most familiar analog to Oyster on the ebook market today is Amazon’s Kindle Owners Lending Library, where subscribers to Amazon’s Prime service who own a Kindle can download and read one ebook for free per month.  The author or publisher, who must enroll their book in Amazon’s KDP Select program to benefit from KOLL, earns about $2.00 for each download.

I expect Smashwords titles to begin shipping to Oyster in about three weeks.  At least 72 hours before we begin shipping to Oyster, I’ll send out an email alert to all Smashwords authors and publishers.  The email will contain complete financial details, including royalty rates and sampling thresholds, so you can make an informed decision about your participation.  It’s an author friendly deal so I expect you’ll be pleased.
Oyster offers an all-you-can-read
e-reading buffet, complemented
by an elegantly designed e-reading
app with social reading features.

Unlike KDP Select, Oyster does not require exclusivity.  It’s open to all Smashwords authors. A single Oyster user could conceivably read multiple books by the same Smashwords author in a single month, and the author will be paid for each book.  Smashwords authors will earn their royalty whenever an Oyster subscriber reads more than a sample of their book.
 
Oyster’s subscription service will help our authors connect with a segment of the reading audience they’re not reaching anywhere else.  Oyster will also give authors yet another reason to steer clear of exclusivity and embrace full distribution with Smashwords.

Oyster formally launched today with its iPhone app, which users can download from Apple’s App Store.  From what I’ve seen of it, the app is elegantly designed.  It incorporates social reading features that allow readers to follow and friend fellow readers and see what their friends are reading or have read.  The app will be available on other platforms in the future.

Oyster has impressive backers drawn from Silicon Valley and New York.  Back in October, they announced $3 million in funding led by Peter Thiel’s Founders Fund.  The round also included Shari Redstone’s Advancit Capital, Chris Dixon and Sam Altman.

Smashwords authors don’t need to do anything to enjoy Oyster distribution other than ensure their books are Premium Catalog-approved.  If you’re not yet publishing and distributing with Smashwords, click here to get started today.

Learn More:  Check out my two-part series where I examine the business models and potential impact of the ebook subscription services:

Examining the Business Model of Ebook Subscription Services (Part I)

How Ebook Subscription Services May Redefine the Value of Books (Part II)

Wednesday, September 4, 2013

Smashwords Publishes 250,000th Book

An indie author today released the 250,000th book on Smashwords.

In the last 30 days, over 9,000 books were released at Smashwords.  In 2008, we released 140 books in the first year.

The 250,000 books comprise 8.5 billion words.  Imagine the millions of hours of love that went into these books.  Imagine the cultural treasures that are now available and discoverable to future generations.

Five years ago when we launched Smashwords, self-publishing was viewed as the option of last resort for writers. Today, it's becoming the option of first choice.  The stigma of self-publishing is melting away as the stigma of traditional publishing increases.

Indie authors are becoming professional publishers.

Writers have learned that with ebook self-publishing, they can enjoy faster time-to-market, greater creative control and 4-5 times higher royalty percentages.  The higher royalty rate enables indie authors to price lower while still earning more per ebook sold.  This gives indies a significant competitive advantage over traditionally published authors.  When readers are given the choice between two books of equal quality, and one is $3.99 and the other is $12.99, the $3.99 title is more desirable.  The $3.99 indie earns about $2.50 for every book sold, whereas the $12.99 author earns $1.60 to $2.25. 

Based on our survey data, a $3.99 ebook will sell over four times as many copies as a book priced over $10.00.  This pricing power gives indies a tremendous platform-building advantage.  Authors who reach the most readers today will have the largest fan bases ten years from now.

The advantages indie authors enjoy in the marketplace are real, and these advantages will increase in the years ahead as reader eyeballs transition from paper to screens, and as brick and mortar bookstores continue their steady decline.

I wonder if the traditional publishing industry has yet come to terms with the ramifications of the rise of indie authorship. 

Indie authorship isn't a noun.  It's an attitude. A mindset.  It's about believing in yourself.  It's a movement. It's a movement that believes every writer has a right to publish. It's a movement that understands that every writer - regardless of commercial potential or metrics - has something special to share with the world.  It's a movement that celebrates the value of the book above the value of a dollar.  Every writer is important.  Indie authorship leaves no writer behind.

Five years and 250,000 books in, I still feel like we're just getting started at Smashwords.  Wait until we reach 500,000 books, or one million.  Our amazing authors have barely scratched the surface of what's possible. Watch, you'll see.