Tuesday, March 6, 2012

Two People Having Sex - An Erotic Parody

Talk of censorship tends to put a frown on everyone's face.

Today, we're going to put a smile on your face, erotica style.

The amazing duo of Jen Ashton and Ren Cummins, writing under the nom de plume of Freida Wright, have penned a delightful parody of the PayPal/Smashwords censorship saga that would make Jon Stewart and Stephen Colbert blush with pride.

They published it Monday as a $.99 ebook titled, Two People Having Sex - An Erotic Parody That Meets PalPay Standards of Censorship. You can purchase it at Smashwords (and soon, Smashwords will distribute it to the Apple iBookstore, Barnes & Noble, Sony, Kobo, Diesel and Baker & Taylor).

With their generous permission, I bring you their masterpiece here in its entirety, for FREE.

Great satire helps us view important issues in a new light. Just as the political satire of Stewart and Colbert brilliantly illuminate insights inaccessible through mainstream media, Ashton and Cummins expose the inanity of censorship.

If you've been following my email updates to Smashwords authors, publishers and customers regarding the PayPal censorship saga, you'll appreciate this parody even more. I trust even our friends at PayPal will enjoy a friendly chuckle.

Ashton and Cummins have given readers permission to reprint their story anywhere online provided it's reproduce it in its entirety with the links intact. This is a story worth sharing, so please do your part to sprinkle its pixie dust far and wide.

Parental notice: Since this is an erotica parody, it contains language and situations not suitable for children. Enjoy!


TWO PEOPLE HAVING SEX

An Erotic Parody

That Meets PalPay Standards of Censorship

by

FREIDA WRIGHT

Edited by

Kissimmee Hugh Jass

Two People Having Sex by Freida Wright


Copyright © 2012 by Freida Wright


This is a work of fiction. Names, characters, places, brands, media, and incidents are either the product of the author's imagination or are used fictitiously. The author acknowledges the trademarked status and trademark owners of various products referenced in this work of fiction, which have been used without permission. The publication/use of these trademarks is not authorized, associated with, or sponsored by the trademark owners.


License Notes


This ebook is reprinted with permission from the authors. Bloggers may reprint this story in its entirety provided all content and hyperlinks remain intact, and provided readers are not charged for access. If you would like to support the authors of this ebook, please purchase a copy at Smashwords at https://www.smashwords.com/books/view/139100


Two People Having Sex:


An Erotic Parody That Meets PalPay Standards of Censorship


By Freida Wright

Edited by Kissimmee Hugh Jass



The gentleman in the suit handed her a pen. “Here you go, miss.”

She accepted it with a demure nod, glancing over the details in the paperwork before her. The lawyer closest to her patted her shoulder reassuringly.

“I’ve been through the documents, Melanie, they’re all perfectly legal.”

Regardless, she read briefly through them. Such a big deal for such a simple thing, she thought. She sighed.

Thomas touched the back of her hand. “Are you sure you still want to go through with this? I know, it seems like such a bunch of fuss over something so…” he sighed as well. This wasn’t how he’d planned it, but rules were rules. He reached into the interior pocket of his jacket and pulled out a passport and a billfold. From the billfold, he further drew out his driver’s license, credit card and his gym identification.

“You said three forms of ID, yes?”

The lawyers nodded, and Melanie set her purse on the polished oak table and pulled out her own documents. “I, um, don’t have a passport, but you said a birth certificate would be fine, right?”

“Certified?”

She nodded.

“That will be fine, miss.”

She bit her lower lip a moment before asking her next question. “You said we’d need to pay your legal fees now as well, correct?” The two lawyers nodded in turn. “I didn’t bring any credit cards along, I just have a checkbook. Or do you take PalPay?”

The lawyers looked at one another and laughed briefly before turning back to her. “Good heavens, no, miss.”

Thomas patted her hand again. “It’s okay, Mel, I’ll cover this.”

Her smile was filled with gratitude. He was a good man; they’d only been seeing each other a few days now, but he was thoughtful enough to ensure that all possible legal protections were being covered for. She could remember in the not-too-distant past how it was all so much simpler; two people met, were attracted, and things led naturally to another until…well, she was afraid of even thinking it in case the censors were somehow able to read her thoughts.

His hand touched hers a moment longer, until the prolonged contact drew the attention of one of the lawyers. “Please, sir, if you could restrain yourself until we have completed our business.”

“Sorry,” he said, withdrawing his hand, but sneaking a wink in her direction as he did so.

Thomas had told her he had spent a year abroad, and had merely shaken his head when they had gone through the list of conditions that the law required of them. “It’s so much different in other countries,” he had explained. “You wouldn’t believe what goes on in other countries without all this…red tape.”

She had grinned at that. “Are you going to use red tape on me?”

“Shush,” he had said, quietly alarmed. “We don’t know who’s listening.”

What had ever happened to this? It had all become so formal, so sterilized and impersonal. It was almost….censored. Romance, intimacy, sexuality, it was all becoming distilled into a legal process designed not to offend.

Well, screw that, Melanie thought. I want to fuck this man.

The lawyers took photocopies of the IDs, and ran Thomas’ credit card for their fees.

One of the lawyers pulled a stapled set of pages from his briefcase and cleared his throat. “Please understand, we are required by law to ask the following questions. Failure to comply will leave us with no further choice than to pull you from publication.”

“What does that mean?” Thomas asked.

The other lawyer answered without even looking up from his paperwork. “It means it will be as if you were never created.”

“That’s a bit excessive, don’t you think?”

The first lawyer regarded Thomas and Melanie over his reading glasses. “Not at all. There are reputations which must be maintained, sensibilities which must be protected. There are many things of a vile and loathsome nature; things offense, detestable and obscene, and we stand as gatekeepers against the tides of filth which might otherwise choke our pristine shores and its pure citizenry.”

“Um, yeah,” Thomas nodded. “You’re doing a great job, too. So, let’s get started, then.”

“Of course. By signing your respective affidavits, you are both attesting to the best of your ability that you are each of legal consenting age, correct?”

Mel and Thomas both indicated in the affirmative.

“Melanie, you are the younger of the two?” His grim gaze was condescending and judgmental.

“Yes, sir. Is there a problem?”

He cleared his throat and mumbled something about how they frowned down upon older men dating younger women. But when Melanie asked him to speak up, he simply just referred her to the fine print.

“Second,” he finally spoke up, “that by signing these documents you are also attesting that you are both, in fact, human beings, alive and not an animal masquerading as one such person, and will remain in human form for the duration of your…activities?”

The couple exchanged awkward glances. “Um, yes. We promise.”

“Are either of you any of the following: vampires, cybernetic organisms, minotaurs, mermaids (or mermen), lycanthropes (including, but not limited to: werewolves, werepanthers, werefoxes, werebears, carebears, or any other part-human creature?)”

“No,” they said in unison, giggling to themselves.

“Animals?”

“No!” they echoed again.

“Third, that you are not related?”

They both agreed.

“Pseudo-related?” he continued.

“What does that mean?” Melanie inquired.

“Pseudo. Meaning false,” he clarified.

“Falsely related?” she asked further. “I’m not quite sure I understand. Who would fall under that category?”

“Technically? Everyone who is not related by blood.”

“We aren’t,” she assured him. “But wouldn’t that just mean we’re not related?”

“No, miss. Not related is not related. Pseudo-related means falsely related.”

“Just say no,” Thomas whispered through his teeth.

The lawyer’s expressionless face was smug and impatient.

“No,” Melanie finally muttered with a smile.

“Good. And, final question, that you will not engage in any actions which could be found to be of a sadomasochistic manner, otherwise known as BDSM, including anthophilia, necrophilia, pedophilia, bibliophilia, or any other form of engagement which might be against the terms and conditions outlined in this pamphlet.”

“Bibliophilia?!” Thomas interjected.

“Yes, books. Especially of the erotic nature.”

The second lawyer reached into his briefcase and handed the couple two identical pamphlets, again without lifting his eyes from his work.

Thomas glanced over the pamphlet before exchanging a somewhat confused look with Melanie. They both nodded at the lawyers. “Yes, we’ll… behave.”

The second lawyer pulled an inkpad from his case and stamped their respective documents, and handed Thomas a copy of the credit card receipt for him to sign.

They stood and collected their paperwork, and shook the couples’ hands before exiting.

“Lovely house you have here, sir,” the second lawyer said. “And good day, ma’am.”

They escorted the lawyers to the door and closed it, locking it as the two odd men walked away.

“Well, that’s that, then,” Thomas said with a wink. “Now what shall we do?”

“What can we do?” she reasonably asked.

He held up one of the pamphlets, and waved it before her face. “Obviously not anthophilia, that’s for sure.”

She shook her head, pulling the paper from his hand. “Anthophilia? What is that, anyway, sex with another person?”

“That’d be anthrophilia, I think. Anthophilia is sex with plants.”

“Plants? Ew! Who would do that??”

He shrugged. “I don’t know. It’s a weird world, my dear.”

They made their way to the bedroom. Somehow, it wasn’t quite as romantic as she had envisioned it would be. The two held hands and finally sat next to one another on the foot of Thomas’ bed.

“So?” he asked.

“Yeah,” she shied away, tucking her hair behind her ear. “This is a little awkward.”

“Maybe we should make out,” he suggested.

Melanie sighed. “It’s just so confusing. With all these rules and all, I’m not really even sure if we’re related or not.”

“Pseudo-related, you mean,” he corrected her. “We’re not.”

“How do you know? I mean, we have known each other a long time. I practically grew up with you. And there was that one time…you know, when we played house?”

“Don’t be silly,” he calmed her, placing his hand on hers. “Maybe we should set the mood. Let’s get comfortable.”

Thomas reached for his jacket and began to peel the sleeves down his arms.

“Wait!” Melanie placed her hand on his jacket to stop him, and then looking around, “Maybe we should keep our clothes on. You know, in case PalPay is watching.”

“Relax,” he told her, “People have sex every day. We’re not doing anything wrong.”

“It sure feels like it. I didn’t know there were so many morality clauses attached to what two consenting adults do together in the privacy of their home.”

“C’mon Mel, it’s just sex,” he half-joked. “People who have sex don’t even have morals!”

Melanie couldn’t argue with that, so she, too, began to remove her restricting clothing. It wasn’t the romantic ripping off of the clothes with passionate hunger that she had fantasized about for the last decade, but it would do. As she pulled her sweater over her head, she peeked at Thomas’ manly chest and the soft tufts of hair that trickled down between his nipples, leading to his…well, to below his belly button. There was a moment where she recalled the muttered fine print about age discrepancy in her contract.

Was it really wrong that Thomas was an older man? Since when? And who says? Surely, no one could frown down upon her for finding his distinguished good looks attractive! So he was a few years older. Who cares? Last she checked, Edward from Twilight was a 104 years old and dating a teenage girl! Now that was disgusting! And he wasn’t even human. Ew!

“You alright?” Thomas interrupted. She felt as though she had been ripped from the pages of the contract itself.

She made a face. “Is sex with a vampire considered necrophilia?”

“Wait, what?”

“Well, vampires are dead, so wouldn’t sleeping with one be like sleeping with a dead person?”

He laughed a bit at that. “Well, I think they’re undead, so maybe that’s not the same thing.”

“I guess not, no.” She shrugged. “Though I still think he’s too old for her.”

“Who’s too old for who?”

“Never mind, it just got me thinking, that’s all.”

He sighed. “You didn’t answer my question.”

“What question?” Her eyes widened. “Oh, am I alright?”

“Well, are you?”

“Yeah. You?”

“Yep! Let’s do this thing!” he said eagerly. “Tell me, what turns you on?”

“Well,” she paused, smiling to herself, “I would really prefer a light tap on the ass right now. It really gets me going. But I'm not sure if that qualifies as an incidental plot point or not."

“Oh yeah,” he conceded. “Damned BDSM. It’s such a broad field - where do you draw the line?”

“Exactly,” she agreed. “Except, I happen to love getting spanked. This sucks.”

“You’re telling me, I’m totally down for a little ass smacking right now. Especially if you call me Daddy. Man, that really turns me on!”

“Shhh,” she reminded him, placing her delicate fingers over his lips. Again, she peered around the room to see if PalPay’s SWAT team would come crashing through the windows. She brought her voice to a whisper. “You can’t say that. This is technically an erotic experience and that word is forbidden. When I perused the pamphlet, I saw a clause that specifically banned it from this entire occasion.”

“Are you serious?” Thomas’s brow buckled at the thought of being so restricted. When did sex become so tame? Exhaling his frustration, he flailed his hands around. “Great! Next you’re going to tell me that we can’t role play, make animal noises or fulfill any other fantasy!”

“Actually,” she cringed, “we can. Er, well, I think we can. As long as we remain in human form and are just pretending to make animal noises, I think we’re good to go!” Her statement was followed by a short pause before she continued. “Well, then again, pretending would mean pseudo. Sooooo…” she dragged her vowel as she tried to make sense of it all, “that may fall under pseudo-bestiality. Was that in the contract?”

“Fuck, I don’t know, Mel. The lines are so blurred. I’m going crazy right now, I’m so horny!”

“Oh my God!” she squealed. “No! You have horns?! Are you the devil? Some kind of animal? Please stay in human form until we figure this out! I really want to have sex with you!”

There was a brief silence following her panic attack, and then they both fell to the floor with laughter as Melanie realized how absolutely absurd she sounded. She had been so engulfed in the fine print, hazy guidelines and limitations that she completely lost her sense of sexy. Perhaps it, and all of her romantic instincts, had somehow walked out the door with their attorneys.

“Oh Thomas,” she apologized, feeling awkwardly embarrassed. “I am so sorry.”

They exchanged glances and Thomas, reaching up to caress her face, gave her the most endearing eyes she had ever seen. She leaned in to him, scooting her body close to his, and closed her eyes. It was then that Thomas finally placed his soft lips on hers and kissed her.

The kiss was long and passionate, just as every other kiss they’d shared the past week had been. His mouth was so warm, so sweet. It almost felt as though he cradled her tongue in his. Oh shit, don’t think cradle, she warned herself. He’s an older man, I’m a younger woman. Pseudo-related, pedophilia. “Fuck!” she finally shouted. Aloud.

“What now?” Thomas asked, sliding his finger along her neck until it traced her collarbone. A tress of her hair fell forward and he twirled his fingers inside its curl.

“Nothing,” she sighed heavily. “Let’s move back up to the bed.”

They both climbed to their feet, Thomas gently assisting her in removing the rest of her undergarments. She, in turn, peeled his boxer briefs down his hips until his you know what peeked above the waistband. The sight of his swollen sex took her breath away. She had fantasized about it for years. Well, since she was eighteen, of course. You know, of age. Everyone knows teenage girls never think about sex. How dare they!

Melanie tried to gather her thoughts again. Back to Thomas and his giant pee-pee.

“Are you ready?” she asked coyly. She bit her lower lip and looked up into his deep blue eyes. It was her signature move. Her mating call. Doh! Don’t think mating. Don’t think mating. She hated all these rules. She couldn’t get out of her head for even just one minute. Music, we need music. Her eyes panned the room for a stereo, an iphone, anything that would fill the silence with something other than her debilitating thoughts.

Thomas seemed more confused than ever as she excused herself and walked over to his nightstand. She pressed a button on his alarm clock and the static blared through the speakers. She scrolled the tuner to find a station. Pausing when she heard an old metal song, she left it alone and jumped on the bed.

“Okay,” she squealed happily, “now I’m ready!”

Naked and waiting, she laid back on the bed as Thomas slipped out of his briefs and crawled on top of her. And there they were, back to kissing.

Thomas’ body felt stiff and hard against her supple curves. He was athletic and muscular, and kind enough not to place all of his weight on her. He held himself just above her, leaning in only near her secret places. She felt him pulsate against her writhing femininity. He was firm and ready.

“I can’t believe we’re finally doing this,” he said sweetly, brushing her hair out of her face. “There was so much red tape to get here.”

“I know,” she concurred. The words red tape formed another image in her mind, of being bound to a chair with red tape as he…. No! I can’t think about obscenities at a time like this! It’s wrong. So wrong!

As if a mirror to her thoughts, Thomas wrapped his arms around her body and thrust his hips toward her pelvis. Just as he slipped his organ between her thighs and pressed firmly into her, an ominous song began to play, an old industrial song she knew well.

I want to fuck you like an animal!

“No,” Melanie begged. “No, no, no! Turn it. Hurry! It’s not allowed! We’ll be unpublished!”

Thomas reached up and hit the snooze button, inadvertently turning off the radio completely. Melanie’s anxiety had clearly startled him. He fell over her nude body and gave up in a huff.

“It’s never gonna happen, is it?”

She ran her fingers through his hair, soothing him the best she could. “There’s just so much…bureaucracy.” She crinkled her forehead at the thought of using that word anywhere near a bedroom, let alone the bedroom of the man she was dating, who was naked, hard and laying on top of her, dying to fuck her brains out! That’s it, she convinced herself, fuck the rules, we’re fucking! Right now! But just one more formality. Just one.

Melanie rolled over and slithered down Thomas’ body, exploring his tan skin and athletic physique. She lingered just above his erection, slowly sliding her hands further south over his thighs. She had noticed earlier how…very hairy they were. She curled his hair between her fingers gently, until an entire tuft was within her grasp.

“You’re not a werewolf, are you?”

“No,” he chuckled under his breath, “I’m Italian.”

“Just making sure,” she smiled, moving her hands back up to grip the base of his…well, you know.

She stroked the length of his shaft, feeling his sex throb under her touch as she guided him toward her lingering kiss. Wait. What was oral? Was it allowed? Forbidden? Could it be considered BDSM if she used excessive force? What if he pushes her head down while in the throes of it? Oh no. Oh no! Rather than take any chances, Melanie simply glided his stiffness along her cheek, down her neck, between her tits and so on, until she climbed back up his body.

“I think we should just stick to the basics,” she told him. “You on top. Me on bottom. That’s how the conservatives do it, right?”

“No doggie-style?” he asked.

“The title alone implies it could be risky to try,” she whispered.

“Reverse cowgirl?”

“Human? Or alien?”

“Human.”

“You may feel inclined to spank me if we do that, though,” she reminded him.

“Ok,” he conceded. “What about butterfly?

“Not human.”

“Crab?”

“Animal.”

“Jockey?”

Melanie paused in deep thought. “Nope. A Jockey rides a horse. Animal.”

“Lotus?”

“Sounds too sacred,” she argued.

“Piston.”

“Barbaric. Might fall under BDSM, hun.”

“Snake charmer. Wait, never mind.” Thomas caught himself this time.

“Super woman?”

“Sounds paranormal.” Melanie finally cut him off. “I think we should do missionary, babe.”

A deep, heavy sigh fell from his mouth. “I guess you’re right. Way to take all the fun out of it.”

“Oh c’mon Thomas, let’s just play by the rules and make this happen already. Take me!” she screamed. “Be a man, in human form, with absolutely no fantastical qualities to whisk me away into romantic wonderland, and just take me!”

He snapped his fingers. “I know! I’ve got it!”

Her eyes widened. “Anything, please, I just want you inside me!”

“You can be an author…” he began, crawling up between her legs and draping her arms over his shoulders. He held her by the hips, positioning her just until he was nearly inside her.

He grinned, making certain she was paying attention to his words. “…and I’ll be PalPay.”

“Oh, yes!” she squealed. “Yes!”

“You see these muscles,” he flexed. “I’m gonna use them on you, baby!”

“Ooooh,” she cooed, wriggling her hips underneath him as she gripped his biceps. “So powerful. Does this mean you’re going to use excessive force?”

“You’re catching on,” he laughed.

She trembled expectantly, squirming in his grasp. He was so close, so near that she ached with desire for him.

“But it’s against the rules,” she whispered playfully.

“Not if I’m PalPay,” he reminded her. “Now I can really fuck you!”

And, with a powerful thrust that took the breath from her, he did.



About the Author

Freida Wright may, or may not, be a young woman or an old man. She may also, but not likely, possess supernatural powers that may, or may not, have been used to procreate with her partner. Her children don’t, but could, have crossed eyes and cleft palates because her husband is much older and of no relation. But most importantly, Freida Wright is an advocate for first amendment rights in the United States.


Freida Wright is the pen name of the writing duo, Jen Ashton and Ren Cummins.


If you enjoyed this story, please consider supporting the authors by purchasing a copy of your own at https://www.smashwords.com/books/view/139100


Connect with Jen and Ren:

Jen Ashton

Twitter: @jenashtonart

http://www.jenashton.com


Ren Cummins

Twitter: @rencummins

http://talariapress.com/ren-cummins/

Sunday, March 4, 2012

Randolph Lalonde Takes Sci-Fi Space Opera to a New Level

Science Fiction author Randolph Lalonde has been with Smashwords since July, 2009. Smashwords distributes him to Apple, Barnes & Noble, Sony, Kobo and Diesel.


His first year at Smashwords, as is the case with most authors, started out slowly, and he earned a few hundred dollars. But then, in 2010 he had a breakout year, and he's been selling very well ever since.

Lalonde’s newest book, The Expendable Few, is the latest in his popular Spinward Fringe series of science fiction space opera novels. He released it February 28 at Smashwords, where it is exclusively available for the first 30 days (it will appear soon at Smashwords retailers). As of this writing, it's the number one bestseller in the Smashwords store. A synopsis of the book appears at the end of our interview below.



[David Weir] Did you first explore the world of traditional publishing before turning to self-publishing, and if so, what was your experience?

[Randolph Lalonde] I tried to secure agency representation and publishing deals until I self-published in 2004. The submissions always came in spurts, every few years I'd send several dozen query letters out, and submit to open slush piles in several English-speaking countries. I even teamed up with an artist in an effort to break into the comic book market. Less than a quarter of my queries and submissions received a reply, and while a couple small publishers were interested in seeing more work from me in the future, they weren't interested in what I was offering at the time.

I didn't talk to anyone about the rejections or my efforts in getting published because I'd often get pretty negative responses from people I knew. It was a pipe dream, I may as well have been trying to be the next Brad Pitt, or Angelina Jolie for that matter, judging from people's responses. There were a few exceptions, but most people were pretty cynical about my dream as a writer, so I stopped talking about submissions for a long time. In 2004 I stopped submitting, and went the self publishing route for the first time.

[DW] Did people start taking you seriously after you self published in 2004?

[RL] People started to take me more seriously, but I was going about it the wrong way, even back then. I invested money in getting copies printed and flogging the book at signing and book launch events. While I broke even, it wasn't the way to go about things, and there were a lot of people who saw their cynicism proven right. I'm glad I didn't listen to them back then, because I learned a lot from that experience. Flogging a print book is generally the worst option a fiction author can take these days. I've seen several authors try that route in the last couple years, and they still see results that are similar or worse than the experience I had in 2004.

I didn't gain any respect from people I actually knew until around 2009, when I had been writing full time for several months. By then I had stopped paying attention to anyone who wasn't in my corner, and remembered everyone who was supportive all along. They are the ones who I make sure share in my dream these days, and I don't really pay attention to anyone else.

[DW] How did you find Smashwords and how was your early experience? How quickly did you books take off?

[RL] I was offering my books through Mobipocket, Kindle and several other small retailers, and saw that Mobipocket in particular was winding down fast. While looking for another distribution channel I found Smashwords. They offered a simple, DRM free platform that appealed to me because I was watching a lot of my early readers get frustrated because they weren't able to take their locked Mobipocket books with them to other platforms. Some of these customers had libraries worth hundreds of dollars, and the DRM didn't allow for portability or conversion. On July 31, 2009, I joined Smashwords, and it has been an important part of my distribution network ever since.

[DW] When did you realize that your first book was resonating with readers and how did that feel?

[RL] In early 2008 I published an optimistic space opera novella called Freeground on Mobipocket.com and was surprised to see a couple emails and reviews within the first month. I self published it because several co-workers had read it on a lark, and said it was really entertaining. It was initially written as a warm up for the Spinward Fringe series, a grittier Sci-Fi series I really wanted to pen. I was overjoyed when Mobipocket customers, not knowing me at all, mirrored my co-worker's enjoyment. By the time the third and final book in the First Light Chronicles series came out I wasn't just writing for myself anymore, and the fact that the Spinward Fringe series would have an audience drove me to work harder. (The First Light Trilogy is available for free as Spinward Fringe Broadcast 0: Origins).

[DW] What's been the hardest part of self-publishing, and what has been the best part?

[RL] The hardest part of self publishing is knowing how much of the situation you have to control and monitor. Once the book is done you are left with the business end of things, and that includes formatting, distribution, publicity, intellectual property protection, checking reviews for spoilers, answering emails, and other things. A control freak like myself can spend most of the day trying to firmly grip all those aspects. It took me a long time to figure out the priority list, and when it's time to just leave the business end alone while I get back to the pleasure of story telling.

I'm using 52 Novels formatting company 
for all my books now, both as a time-saving measure and to ensure that
 my books come out with a professional polish -- formatting wise at 
least.

The best part of self-publishing is the freedom I have as a storyteller, and the freedom I have in how that work is presented. Almost half the my latest book, The Expendable Few, was revealed for free on the reader forums, just because it had been a long time since anyone had seen any of my work, and I wanted some early reader feedback. Everyone got a juicy preview, and I got a lot of valuable feedback. I can't say I'd have that kind of freedom if I were with a mainstream publishing house.


[DW] When did you start writing and did you always want to be a writer?

[RL] I started writing short stories around the age of eleven, and completed my first full sized novel by the time I was seventeen. Since then I moved from one career to the next, using call centers as fall-back jobs when something more interesting wasn't available. I've worked as a Black Jack and Poker dealer in a traveling casino, played weekend gigs with a few bands as a drummer, managed a computer store, been a consumer technology trainer, and I've owned a design and print business. I think I've been in a lot of situations and met a lot of people that inform my writing. Through all of it I kept writing when I had time until I gave up in 2006. I didn't start writing again until 2008, after deciding to take a crack at science fiction with a story and setting that had been percolating for over twenty years.

[DW] Was Sci-Fi your first love as a writer? How did you come to it?

[RL] I've always enjoyed science fiction as a fan. My parents took me to see "Star Wars" when I was three years old in 1977, and I think the love affair began there. I wrote horror, suspense, military fiction, and a lot of fantasy before sitting down and trying science fiction for the first time on January 1, 2008.

The closest I came to writing science fiction before then was designing a role-playing system and universe when I was a teenager. We played that for years before I returned to other gaming systems as a storyteller. I believe that dipping into many genres as a writer and as a game master for over twenty years helped me find my story telling style, and helped make me the writer I am now.

[DW] What is the Space Opera genre, for those who are unfamiliar with it?

[RL] The Space Opera genre normally refers to futuristic adventures set in space, featuring ships, high technology, and dramatic situations between characters. Larger than life villains also tend to be a staple, but less so these days. There are more novels featuring more realistic heroes and anti-heroes who struggle with day to day challenges coming out now, instead of epic 'save the galaxy' stories. The grand examples of Space Opera that people would recognize are "Star Wars," "Star Trek," "Battlestar Galactica" and "Firefly."

[DW] What is your writing process -- how often, how long, and do you set goals for a certain number of words per session or per day?

[RL] Word counting never worked for me, I always seemed to start high and taper off over time. What works these days is looking at chapters of a novel like a puzzle, and trying to find the most interesting way to put the pieces together. I try to write every day, and focus on one novel at a time unless the muse descends like a bag of hammers and I have to spend a short stint on another project. I usually get my first writing session in before 9 a.m. and then take care of some of the daily business. If I'm in the middle of a project and I've already figured out the next few chapters, I'll have another writing session or two later that day or evening. My writing sessions are typically two to four hours long.

[DW] How your characters and stories come to you? For example, are they pretty much set before you begin writing, or do they develop during the writing process?

[RL] I normally have a couple main characters developed before I start. These are the initial point of view characters. I often have certain scenes in mind for them before I begin, so I have a feeling for how they behave, and what their tendencies are. Other characters develop during the writing, and I usually know them pretty well by the time I've finished writing a chapter in which they've stolen the scene. Some of these have become reader favorites, even central to the series itself.

[DW] Where are you headed over the next five years as a writer? Will you continue the highly successful Spinward Fringe series and if so, how many more books in it are to come?

[RL] I approach the Spinward Fringe series as I would a television series in a few important respects. That series has seasons, wherein story arcs begin and end. The current arc started in Broadcast 0, and is ending in Broadcast 7. After that I'll be starting a new 'season' with Broadcast 8, which will feature a couple stand-alone books that aren't as tightly connected to future novels as Broadcasts 0-7 were. Having a story arc that threaded through eight books was just too long, so I want to tell stories that are a little more compact, but just as entertaining. As long as there are stories left to tell in the Spinward Fringe universe, I'll keep adding to it.

[DW] Do you envision attempting books in other genres in the future?

[RL] Other than the Spinward Fringe series, I'll be finishing work on a Fantasy Adventure novella and continuing work on a Horror Adventure novel this year. I also have a few ideas for one-shot books that range from comedy to straight up horror, so if I stop having new ideas tomorrow, there's enough material scrawled in notebooks to last me at least the next five years. I'm sure I'll have more ideas though, that muse is always up there somewhere, ready to dive-bomb my brain.

[DW] If you had one tip for an aspiring author who's having trouble taking the plunge, what would it be?

[RL] Write, keep writing, and finish everything you can. Sometimes it'll feel like you're just punching a clock and putting in a couple hundred words because you should, other times you won't be able to get to your word processor fast enough. What's important is that you do it, and you complete as many projects as you can. When you find a story you love, with characters you can't forget for long, and people you trust have told you it's entertaining, then you should find someone with the right education to copy edit your work. Once you're confident you've done the best job you can on the polish your baby deserves, release it out into the world. If you love the novel you've written there's definitely a few like-minded people out there who have been waiting to love it too.

[DW] And, what is the best thing about being a writer, for you?

[RL] I enjoy exploring worlds with characters I'd like to know, or love to despise. Writing is a way of doing that without looking absolutely crazy. Without my writing habit I'm sure I'd be that guy you see who talks to himself in public and carries on with imaginary people.

[DW] Thanks, Randy!

***

Here's a synopsis of Randolph Lalonde’s latest book, The Expendable Few:



Commander Clark Patterson and several other officers in the Freeground 
Military are ejected from regular service when a desire to look beyond
 Freeground Nation’s borders is proven by an oppressive government.
 They are assigned dangerous missions by a special Intelligence
 Oversight Group.

 If Commander Patterson and his people complete these missions, they’ll
 gain their freedom from Oversight and have the opportunity to start
over in a tumultuous galaxy. Patterson’s fascination with another crew
 who left Freeground years before and managed to survive serves as a
destination, but will they survive to reach it?

Where to find Randolph Lalonde and his books:

Website: http://www.randolphlalonde.com
Twitter: @randolphlalonde
Facebook: Randolph Lalonde Facebook profile
MySpace: http://www.myspace.com/randolphlalonde
Blog: http://randolphlalonde.blogspot.com/


Smashwords distributes Randolph Lalonde ebooks to the following retailers:


David Weir is a veteran journalist who has published three books and hundreds of articles in various publications, including The Economist, Rolling Stone, and The New York Times. He currently covers technology for 7x7.com.

Friday, March 2, 2012

Smashwords to Distribute to Blio and Public Libraries Via New Distribution Agreement with Baker & Taylor

Smashwords today announced a distribution agreement with Baker & Taylor, one of the world's largest distributors of physical and digital books.

The agreement will expand distribution for nearly 100,000 Smashwords books to new devices and markets.

There are two components of the agreement. The first is distribution into the Blio online store and e-reading app. The second part of the agreement gains Smashwords authors and publishers distribution into the library market through Baker & Taylor's Axis360 service.

If you're not familiar with Blio, it's an online store (Blio.com) and also a popular e-reading application that has been pre-loaded on over millions of computers and devices. It powers the e-reading experience for laptops, desktops and tablets produced by Dell Computer, HP, Toshiba and T-Mobile, among others. Blio is also available in the Android store.

The agreement will also bring Smashwords ebooks to public libraries that subscribe to Baker & Taylor’s new Axis360 digital media platform. Axis360, which was launched last year, has been deployed by several top public library systems in the U.S. Dozens more libraries are converting to the platform.

Like all new Smashwords distribution channels, all Premium Catalog-approved Smashwords titles will gain automatic distribution to Blio and Axis360. As standard practice, we give authors and publishers at least 48 hours to opt out new distribution outlets if they wish, though I don't recommend opting out. This agreement will give authors and publishers important, incremental exposure for their books.

Smashwords authors and publishers will earn 60% of the list price for books sold through Blio, and 45% of the list price for books sold to libraries. The libraries are authorized to check out one purchased copy at a time. The books are DRM'd so they time out after the checkout period has expired.

Read the full press release in the Smashwords Press Room.

Please join me in welcoming Baker & Taylor to the Smashwords distribution network!










Tuesday, February 28, 2012

Smashwords Author Profile: Shayne Parkinson

(Mark's note: This is the first in an ongoing series of Smashwords author profiles. The interviews are conducted by David Weir, a veteran journalist who has written previously for The Economist, Rolling Stone and The New York Times. We'll profile a diverse range of authors who are achieving success distributing ebooks with Smashwords. Even if we manage to do 52 interviews in the next year [a goal], it means we'll barely touch 1 in 1,000 Smashwords authors. Do you have a favorite Smashwords author? If so, consider interviewing them for your blog and support your fellow indie authors.)


When we caught up with Shayne Parkinson recently, she was just about to go outside her countryside home and tend to her sheep.

Shayne writes historical fiction set in her native New Zealand, a genre traditional publishers in her country considered too niche to take seriously. So she started to self-published with Smashwords starting in March 2009. Ever since, people all over the world have been discovering her books -- one reader at a time.

And once they do, they became fans, often quite insistently (as she explains below) awaiting the next book in her series. These days, her books attract a truly significant global audience, and she sells more in a day now than she did in her first full year back at the start.

Smashwords distributes Shayne's work to Barnes & Noble, Kobo, Sony, Diesel and Amazon. And Shayne's husband, Roger, also publishes on Smashwords.


[David Weir] We know your first year on Smashwords was one of slow growth as people began to discover your work. Can you describe what it was like "meeting" your first readers and fans?

[Shayne Parkinson] Delightful and astonishing and wonderful. To hear from someone halfway around the world telling me that my stories have touched the reader in some way, perhaps by a reminder of something in his or her own experience, even though they're set in such a different time and place, is hugely rewarding.

I now get quite a bit of mail from readers, and answering it is one of my pleasantest daily tasks. A while ago I got a lovely letter from a group of co-workers who've read my books. They attached a photograph showing them all in their office, holding up a mix of paperback versions and e-reader displays of the books' covers. That had me smiling for days. More recently a lady informed me that she has most of the people in her little town reading the books, and if I don't hurry up with the next one they'll all move to New Zealand and camp outside my gate. And I should be worried, she tells me, "because we're Texans". I wouldn't dare stop writing with readers like these!

[DW] How did interest in your work grow after that slow beginning? Was there a "tipping point?"

[SP] I think there was a tipping point around the middle of 2011, about two and a half years after I joined Smashwords. I've never done much marketing, instead relying on word-of-mouth. A reader enjoys the books and recommends them to a friend or two. Sometimes one of those friends likes them enough to recommend them in turn. It might take a while, as it did for me, but reader recommendations are like gold.

[DW] Are you surprised that you've emerged as a successful author, or did you expect this would happen?

[SP] I'm genuinely and utterly astonished. I hoped I'd get some readers, and perhaps make my hobby self-sustaining by earning enough to pay my research expenses, but I wouldn't have dared dream I'd be hearing from hundreds of readers and earning a living (meaning I now have much more time to devote to writing) from something I love doing. I sometimes wonder when I'm going to wake up!

[DW] What do you like most about indie self-publishing?

[SP] Having the freedom to work at my own pace, and being responsible only to my readers and to myself.

[DW] You've told us that about 20 years ago, you had "all of these stories running around in my head" so you started writing them down. How long had those stories been taking form for you and where do you suppose they came from?

[SP] The original inspiration was a place: a farming valley a few miles from my childhood home. My husband grew up in this valley, on a farm that had been in his family for generations. Much of the land had been cleared for pasture, but the steeper hills were still covered in forest—bush, as we call it in New Zealand. 

I was captivated by this lovely place (and by the farm boy who eventually became my husband); later, after the farm had passed out of family ownership and there was somehow more time to talk, I was captivated by the memories of those who had lived there, particularly my late father-in-law, who was almost 90 when he died, and who had his own father's and grandfather's recollections to share. Tales were told of the days before electricity or engines had reached the valley; when milking was done by hand, and machinery was drawn by horses. A weekly buggy trip to town was an adventure in its own right, dependent on the state of the track and on tides. The valley was isolated, and family all-important.

I never quite forgot the valley, even when we'd moved far away. I didn't think of myself as a writer back then, beyond the few short stories and articles that I'd produced, but that place and those times somehow called to me. Over the years characters took shape in my imagination, set in my imagined vision of the valley long before my time; my own inventions but surprisingly real to me. And as I thought about these people, how they might have lived and what they might have been like, stories took shape and grew, to the point where I conceived the outrageous idea of writing a novel.

[DW] How long were you writing down your stories before you showed them to others, and who did you show them to?

[SP] I showed them to my husband from early on, when they were still very much works in progress. Once the first book was complete, a few friends and workmates asked to borrow it, then word spread among friends and acquaintances who wanted to borrow the books (or rather folders of print-outs, as they were back then).

[DW] When did you approach traditional publishers and what happened?

[SP] It was a fairly casual approach. I've never had any real interest in trying out traditional publishing, but several readers encouraged me to make an attempt. I wrote a brief query to three (I think) publishers; two said they wouldn't consider fiction from an unknown author, and the third said there would be no interest at all in long books of New Zealand historical fiction.

[DW] How did you discover Smashwords and what drove you to try it out?

[SP] After leaving my manuscripts gathering dust on a shelf for some time (my fund of interested friends and acquaintances had dried up by now), I began to wonder if there was a way of making them available to more readers. I saw Smashwords mentioned on a site called Authonomy, and when I visited the site I liked what I saw there in terms of what was being offered and the vibe I got from the people running it.




[DW] Your love of history and of New Zealand's history, particularly in the late 1800s, is evident in your work. When and how did you first develop this specific passion?

[SP] While I've had an interest in history for as far back as I can remember, this particular passion grew with the process of discovering my characters and the world they inhabit. I wanted to find out more about how they lived, and the more I learned the more fascinated I became. 

The late Victorian era saw some significant changes in New Zealand, particularly relating to women. The Married Women's Property Act of 1884 allowed married women to own property in their own right. Changes to divorce law meant that women could file for divorce on the same grounds as men. In 1893 New Zealand women gained the vote, the first in the world to do so. The attitude where a woman was seen as the property of first her father, later her husband, with only the most minimal of rights to her own person, was being undermined. 

I hadn't originally intended to write a sequel, let alone a series, but when I finished "Settling the Account" I found that I missed the characters too much to leave them behind. That meant taking them further into the early 20th century. The book I'm currently editing covers the years of the Great War, 1914-1918. Finding out what it might have been like for those left at home during the war to try and cope when sons, husbands and brothers were taken from them is proving just as fascinating to me as the earlier periods were.

While the historic period has shaped the attitudes of my characters and the events of their lives, and the period details are as accurate as I can make them, the books aren't about those details. I believe that in some ways people are the same across the ages. We all have dreams and disappointments, loves and losses, joy and sorrow. For me, historical fiction can show us something of how our forbears lived—such different lives from ours—and can help us feel a kinship with them.

I find it easier to identify with ordinary people than the great and powerful, and although mine are imaginary they're as real as I can make them. I'd like to think that my characters give something of a voice to those who lived obscure lives of quiet struggle and small triumphs, wanting the best for their children, even though their idea of "the best" might be very different from ours.

[DW] Did anyone ever encourage you to become a writer?

[SP] Not really, although once I *did* start writing my husband was and continues to be my most supportive and encouraging reader. I was lucky enough to have some very good English teachers who gave me a good grounding in the basics of using language.

My late father was a great reader, and he was the person who first taught me to love books. That love of reading contributed to a desire to write.



[DW] You've said that you enjoy getting to know your characters. Can you explain how they come to you and how they develop once they arrive?

[SP] Yes, getting to know my characters is for me one of the great delights of writing. 

When I'm going to introduce new characters, I spend some time just letting them take shape in my imagination: putting them in different settings, "listening" to them talking, finding out their likes and dislikes. It's like sitting quietly in a room listening to the conversations of others, occasionally nudging conversation in a certain direction, and then recording what I’ve learned about these people. I think about their back-stories, their childhoods, the sorts of families they came from. 

I find out more about them when writing, especially as they interact with other characters. It's sometimes a matter of writing my way into a character, maybe devoting pages to the process, knowing that much of what I've written will be discarded. Characters and story each grow with the telling—for events shape character, and characters shape events.

While I like to think I'm in charge, sometimes a character will surprise me by insisting on acting in a certain way when I'd planned something different, or perhaps saying something I really didn't expect. I've learned that it's best to let them have their own way when this happens.




[DW] Do you create detailed back-stories for each character, like screenwriters do, perhaps including material that doesn't make it into the book?

[SP] Yes, I do, and the back-stories grow ever more detailed as I get to know the characters better and better. I put several chapters worth of extra material from the first book on my web site, rather as DVDs sometimes include deleted scenes, as that extra material gives further insight into the main character but would slow the narrative too much if I included it in the published book.

[DW] When you've finished a book, do you miss the daily interactions with your characters? Or, perhaps a better question would be, do those interactions end?

[SP] No, those interactions never do end. Even when I'm not actively writing about them, I'm thinking about what they might be up to in "book time", and how particular historical events might affect them. Sometimes I imagine what-if scenarios: what would have happened if a particular event had gone in a different direction. I have files of notes for future books that I'm constantly updating, and that's part of keeping in touch with the characters.

Another way those interactions stay fresh is through correspondence with readers. My characters do feel very real to me, and discussing them with readers who've had a strong response to a character adds extra layers to my own experience of them.

I find I'm now writing about the grandchildren and great-grandchildren of some of my original characters. Because the readers and I have known these people for so much of their lives, there's a sort of shared history. When something happens in a character's present, we're aware of the past experiences that are shaping that character's reaction.

[DW] How do you work? Do you write according to a regular schedule every day and how much rewriting, and editing do you do?

[SP] It would be fair to say I'm not the most organized person in the world when it comes to working at set times. I do devote time to writing almost every day, and I don't allow myself the possibility of writer's block. On days when the words simply refuse to flow, I work out plot details or write up character descriptions. I also research more or less constantly. 

I do several editing passes, some involving fairly substantial amounts of rewriting, moving things around, or removing sections, then further passes to polish the work.




[DW] Where do you think you will be as a writer, five years from now?

[SP] I expect to have more books out, still using historical New Zealand as my main setting, but exploring new aspects of that setting. I hope to grow as a writer, learning from every book and from the response of readers.

I've a head full of plots, and a bulging file of research notes and ideas for the future. My next book will be released some time in the next few months, and I have at least half a dozen more in various stages of plotting, including some that will feature characters who have secondary roles in the main series.

[DW] Finally, do you have any advice for others who may be hesitating before taking the plunge to self-publish their first book?

[SP] Self-publishing can provide a wonderful opportunity to reach readers, and with luck it may also mean commercial success. I'm very grateful for the success I've had, but I think it's important not to lose sight of why I write: for the joy of the writing itself, and for interacting with readers. Those are the most important things of all. 

Every writer's experience will be different, but here are some things that have helped me:
  1. Making the books as good as I possibly can, from the broader issues of story and characterization through to careful proof-reading.
  2. Writing what I'm inspired to write, without worrying if it will be commercially successful.
  3. Being accessible: the books are in a variety of outlets; I’ve a web site and a blog, and an easy-to-find email address.
  4. Patience.
  5. A healthy dose of luck.
[DW] Thanks Shayne!


Smashwords distributes Shayne Parkinson to the following retail outlets:


Follow Shayne Parkinson:


David Weir is a veteran journalist who has published three books and hundreds of articles in various publications, including The Economist, Rolling Stone, and The New York Times. He currently covers technology for 7x7.com.

Tuesday, February 14, 2012

Smashwords Surpasses 100,000 Indie Ebooks

Today we announced an important Smashwords milestone. Over 100,000 ebooks are now published and live in the Smashwords catalog, thanks to the efforts of over 36,000 Smashwords authors and publishers around the world.

This month also marks our fourth birthday. Four years ago we unveiled Smashwords at the Tools of Change conference in New York. It's fun to read our original Smashwords launch press release. Back then, ebooks accounted for about two-tenths of one percent of the U.S. book market. Self published authors were considered black sheep.

What a wild ride it's been the last four years. Millions of books sold. Millions of readers touched by your words. Lives changed.

My favorite emails are from complete strangers who contact me and write, "Because of Smashwords, I'm writing again." Those emails make this all worth it, and inspire me to do more and do better for our authors.

Four years in, it still feels like we're just getting started. The next couple years will be exciting. New global markets are opening up. Billions of new, potential readers will be equipped with ebook-ready smart phones, tablets, computers and yes, even e-readers.

These potential readers will all be a few clicks away from discovering, sampling and purchasing books previously unknown and unavailable to them. Maybe some child growing up at the base of Mt. Kilimanjaro will enjoy your book some day. Maybe your words will inspire them to write. Maybe it's already happening.

Ebooks transcend geography and make your words accessible to vast audiences. The secret to reaching your audience (beyond of course publishing and distributing with Smashwords!) is to write words worth reading. If you honor your reader with quality work, your reader will honor you back by reading more of your words, and by recommending you to their friends.

Read today's press release in the Smashwords Press Room.

On behalf of all 13 of us at Smashwords, thank you for joining us on this journey to change the world of publishing one indie ebook at a time.