Scribd today launched an exclusive front-page merchandising promotion titled “Popular Indie Authors” featuring 18 Smashwords authors.
Congrats to featured authors Kristen Ashley, Brian S. Pratt, Quinn
Loftis, F.S. Michaels, Jean Sasson, E.P. Lenderking, Daniel Alick, John
Locke, Amy Miles, Morgan Rice, JD Nixon, Rebecca Ethington, Shayne
Parkinson, Julie Kenner, John Rember, Jaden Skye, Chris Dolley and
Rachel Astor.
The featured authors represent a diverse cross-section of genres and categories, including fantasy, biography, mystery, thriller, historical fiction, contemporary romance, paranormal romance, YA romance, and dystopian SciFi.
This curated row of books will rotate among other curated and
automatically generated suggested-reading rows for Scribd subscribers. The promotion runs at least two weeks.
View the titles here - http://www.scribd.com/collections/4460621/Popular-Indie or log into your Scribd subscription to view the promotion.
In the last two months, as promised in our original Scribd announcement in December, all Smashwords authors with books opted into our Scribd distribution channel as of early January received a free one-year subscription to Scribd valued at $100. The activation links were sent out via email, and the last batch went out last week. If you haven’t activated your account, please do so now before the offer expires (and if you never received the email, check your spam filters). Scribd has kindly extended the original deadline for activation until June 1.
The Smashwords catalog went live at Scribd on February 28, 2014, the last day of the month. The first full month’s sales (March) exceeded my expectations. It was the largest first-month sales for any new Smashwords retail partner in the last five years. I know our friends at Scribd were equally pleased by the popularity of Smashwords titles.
April results were even more impressive, showing a month-over-month sequential gain of 60%. Although the sales volume at Scribd hasn't reached the level of iBooks, Barnes & Noble, Kobo and the Smashwords store, they're off to a strong start by any measure.
Their April results alone represent nearly triple the recent combined sales of Sony and Diesel, two Smashwords retailers that exited the ebook business in March, and already represent 1/3 our Kobo sales. I’m excited to see where Scribd can take this over the next few years.
Scribd is on track to become a major contributor to the bottom lines of indie authors, and like big fishes in small pond, Smashwords authors are there first, reaching new readers, and building platform advantage that will reap dividends for years to come. If you don't have all your Smashwords titles opted in to Scribd, you're missing out. Visit your Smashwords Dashboard's Channel Manager screen to make sure all your Premium Catalog titles are opted in.
I think history will show that the new breed of subscription ebook services like Scribd will grow the number of readers who are enjoying and consuming ebooks. They'll expand the reading audience and help authors reach readers that aren't shopping at conventional retail channels where books are purchased one at a time. The two models for ebook consumption are complementary. With subscription ebook services, readers surf books effortlessly, as if visiting a massive online library, and once they hit a percentage threshold of pages read for an individual title, it triggers a full sale.
As I mentioned in the original announcement of our distribution relationship with Scribd, Scribd has repositioned their entire business around the ebook subscription model. The site is visited by 80 million readers each month. Scribd is working to funnel all these readers into their paid subscription service. They want to sell books for our authors!
Thank you Scribd for this great promotion, and congratulations to these fine Smashwords authors!
Can't Get Enough of Ebook Subscriptions?
If you want to learn more about the business model of the subscription ebook services, and how these services might shape the future of reading, here are three opportunities to learn more:
1. The Smashwords Blog. Check out my two part blog series starting with my post, Examining the Business Model of Ebook Subscription Services.
2. Attend a panel. At BEA in New York on May 29 (happy birthday to me), I'm participating on a panel that will explore all aspects of the ebook subscription model titled, A Substantial Difference: How Subscription Affects the Form and Value of Content. The panel is moderated by the awesome Peter Brantley. The panel will be part of BISG's Making Information Pay conference hosted at BEA.
3. The Great Debate. And for those of you who can't get enough of the subscription model (or you hate it or you love it or just want to learn more), on June 11 at Noon Eastern I'm participating in a webinar debate about subscription ebook services produced by Digital Book World. The debate is modeled after the Intelligence Squared U.S. debate series on NPR. This will be interesting. The proposition is, “The success of ebook subscription services will be good for publishers, authors and readers.” Arguing in favor of this proposition will be the team of Andrew Weinstein of Scribd and yours truly (woo hoo!). Our formidable opponents, who will argue against the proposition, are Gareth Cuddy, an ebook distributor, and Jonathan Blum a super-smart journalist for TheStreet.com who will probably cut us to pieces with his wit, charm and oratory skill. The debate is moderated by Jeremy Greenfield, editorial director for Digital Book World. The debate is won or lost based on the number of listeners we convert to our side of the argument. They will poll viewers before the debate and ask them if they agree or disagree. At the end of the debate, they poll viewers again to see which side changed the most minds. This means that if 98% of viewers agree with the proposition at the beginning, and 97% percent agree at the end, we lose. It'll be all in good fun!! Register for this free event at https://www1.gotomeeting.com/register/302153160 and learn more at Digital Book World.
Monday, May 12, 2014
Sunday, May 11, 2014
Scribd’s Improved Copyright Protection Systems Reaping Results for Smashwords Authors
Scribd was founded about six years ago as a document upload service. To their credit, they made the upload of multi-format documents and files ridiculously easy.
Today, their site hosts 50 million documents and books, receives thousands of new uploads every day, and is visited by 80 million monthly readers from over 100 different countries.
The downside of their ease-of-upload, however, is that many users – often enthusiastic readers who don’t understand or respect copyright – attempt to upload unauthorized, copyrighted works, including the ebooks of many Smashwords authors. It’s the same challenge YouTube faces with unauthorized video uploads.
Following our announcement in December that Smashwords would soon begin supplying ebooks to Scribd, both for retail sales and for inclusion in their subscription service, I heard from several Smashwords authors who were understandably upset to discover unauthorized versions of their books at Scribd.
Some questioned why we would partner with Scribd. As I’ve shared with authors who have expressed concern, and as I’ll reiterate here, we wouldn’t have partnered with Scribd if we weren't confident their heart was in the right place, and if we weren't confident our relationship with Scribd would benefit all indie authors.
Scribd has 80 million readers, and we’ve got over 300,000 books. We want to connect those readers' eyeballs and wallets and purses with our books. We want our authors to receive the full payment they deserve for their hard work.
Scribd wants the same thing. Scribd wants to do right by the indie author community because they know their business is dependent upon earning and deserving the trust and support of authors everywhere.
With Scribd’s enthusiastic blessing, I orchestrated a conference call in January for Scribd’s top executives with several concerned Smashwords authors. Scribd wanted to hear our authors' concerns, and then after listening Scribd shared their plans to combat the unauthorized uploads.
At the end of the call, Scribd shared how they planned to release a major update to their copyright protection system in the next few weeks.
I’m pleased to report that Scribd is delivering. Scribd has made some impressive strides over the last few months toward eradicating unauthorized content.
Scribd has since renamed their copyright protection technology Book ID. In a nutshell, here's how it works: BookID automatically scans all Smashwords-delivered books, and analyzes the text for semantic data such as word count, letter frequency, phrases, and other elements. BookID then creates a digital fingerprint of the authorized Smashwords book, and uses this fingerprint to automatically detect and remove unauthorized versions. It proactively removes all files at Scribd that match the same fingerprint, and also uses this fingerprint to proactively block the upload of future unauthorized versions.
Simply by distributing to Scribd via Smashwords, our authors receive a measure of protective benefit from the BookID technology.
I want to share some hard numbers with you to illustrate the progress Scribd has made to respect and protect the copyright of Smashwords books.
As of January 9, the BookID had detected and removed 3,745 book files from Scribd representing 1,725 unique Smashwords books.
In March, Scribd released a new and improved version of BookID, as they promised they would during their call with the Smashwords authors. The new BookID system has dramatically increased Scribd’s ability to detect unauthorized versions.
As of today, Scribd reports to me BookID has removed 47,858 unauthorized copies of 14,090 unique Smashwords books.
Although no automated scanning system will every be 100% accurate, I’m pleased by the progress and effort made by our friends at Scribd. I’m pleased that every visitor to the Scribd home page is prompted to purchase a paid subscription to Scribd’s service, because this converts free readers to paid readers for the benefit of Smashwords authors.
Thanks to the support of Smashwords authors who now supply 225,000 titles to Scribd, it's getting tougher for users to upload unauthorized content. With every new Smashwords title delivered, the cleanup continues. The situation will improve further as Scribd enhances their BookID technology in the future.
Learn more about Scribd's BookID technology at http://www.scribd.com/copyright/bookid and learn more about Scribd’s commitment to protect your copyright at their new and improved Copyright Resource Center.
I’ll report more exciting Scribd news tomorrow regarding the impressive sales growth we're seeing at Scribd, plus some other big news so stay tuned!
Today, their site hosts 50 million documents and books, receives thousands of new uploads every day, and is visited by 80 million monthly readers from over 100 different countries.
The downside of their ease-of-upload, however, is that many users – often enthusiastic readers who don’t understand or respect copyright – attempt to upload unauthorized, copyrighted works, including the ebooks of many Smashwords authors. It’s the same challenge YouTube faces with unauthorized video uploads.
Following our announcement in December that Smashwords would soon begin supplying ebooks to Scribd, both for retail sales and for inclusion in their subscription service, I heard from several Smashwords authors who were understandably upset to discover unauthorized versions of their books at Scribd.
Some questioned why we would partner with Scribd. As I’ve shared with authors who have expressed concern, and as I’ll reiterate here, we wouldn’t have partnered with Scribd if we weren't confident their heart was in the right place, and if we weren't confident our relationship with Scribd would benefit all indie authors.
Scribd has 80 million readers, and we’ve got over 300,000 books. We want to connect those readers' eyeballs and wallets and purses with our books. We want our authors to receive the full payment they deserve for their hard work.
Scribd wants the same thing. Scribd wants to do right by the indie author community because they know their business is dependent upon earning and deserving the trust and support of authors everywhere.
With Scribd’s enthusiastic blessing, I orchestrated a conference call in January for Scribd’s top executives with several concerned Smashwords authors. Scribd wanted to hear our authors' concerns, and then after listening Scribd shared their plans to combat the unauthorized uploads.
At the end of the call, Scribd shared how they planned to release a major update to their copyright protection system in the next few weeks.
I’m pleased to report that Scribd is delivering. Scribd has made some impressive strides over the last few months toward eradicating unauthorized content.
Scribd has since renamed their copyright protection technology Book ID. In a nutshell, here's how it works: BookID automatically scans all Smashwords-delivered books, and analyzes the text for semantic data such as word count, letter frequency, phrases, and other elements. BookID then creates a digital fingerprint of the authorized Smashwords book, and uses this fingerprint to automatically detect and remove unauthorized versions. It proactively removes all files at Scribd that match the same fingerprint, and also uses this fingerprint to proactively block the upload of future unauthorized versions.
Simply by distributing to Scribd via Smashwords, our authors receive a measure of protective benefit from the BookID technology.
I want to share some hard numbers with you to illustrate the progress Scribd has made to respect and protect the copyright of Smashwords books.
As of January 9, the BookID had detected and removed 3,745 book files from Scribd representing 1,725 unique Smashwords books.
In March, Scribd released a new and improved version of BookID, as they promised they would during their call with the Smashwords authors. The new BookID system has dramatically increased Scribd’s ability to detect unauthorized versions.
As of today, Scribd reports to me BookID has removed 47,858 unauthorized copies of 14,090 unique Smashwords books.
Although no automated scanning system will every be 100% accurate, I’m pleased by the progress and effort made by our friends at Scribd. I’m pleased that every visitor to the Scribd home page is prompted to purchase a paid subscription to Scribd’s service, because this converts free readers to paid readers for the benefit of Smashwords authors.
Thanks to the support of Smashwords authors who now supply 225,000 titles to Scribd, it's getting tougher for users to upload unauthorized content. With every new Smashwords title delivered, the cleanup continues. The situation will improve further as Scribd enhances their BookID technology in the future.
Learn more about Scribd's BookID technology at http://www.scribd.com/copyright/bookid and learn more about Scribd’s commitment to protect your copyright at their new and improved Copyright Resource Center.
I’ll report more exciting Scribd news tomorrow regarding the impressive sales growth we're seeing at Scribd, plus some other big news so stay tuned!
Smashwords Romance Authors Promoted at RT Booklovers in New Orleans
Hundreds of Smashwords authors are participating in an exclusive promotion this week at the RT Booklovers Convention in New Orleans.
Inside the goodie bags for each of the 2,000 attendees is a four gigabyte Smashwords thumb drive featuring 349 free romance ebooks from 349 Smashwords authors.
The promotion puts hundreds of Smashwords authors in the hands of the romance industry's most influential participants.
Among the 2,000 RT Booklovers Convention attendees are readers, published authors (both indie and traditional), aspiring authors, bloggers, and more than 300 industry professionals including publishers, librarians, booksellers, book reviewers, literary agents and media.
The promotion builds upon a similar promotion we produced last year at the RWA conference in Atlanta which featured over 100 authors.
All registered authors for the RT Booklovers convention were offered the opportunity to be included in this drive. The drive received heavy advance promotion by the conference organizers. Filling out the drive are hundreds of popular Smashwords romance authors including several NY Times and USA Today bestsellers.
The promotion was offered free of charge to participating authors and publishers. Each author received a dedicated folder featuring their book in multiple formats. The drive includes a PDF that lists all participating authors and books, along with direct hyperlinks to each author's Smashwords profile page so readers can check out the authors' other books. The drive also includes two free digital issues of RT Book Reviews Magazine and a free Smashwords publishing kit
This promotion is one of the many perks of working with Smashwords. It's our way of saying thank you for publishing and distributing with Smashwords! We hope to do similar promotions in the future to support our authors. If you're on the conference planning committee for a large (500+ attendees) writers conference, drop us a line!
If you're attending RT Booklovers, come say hello at my workshops and panels:
Inside the goodie bags for each of the 2,000 attendees is a four gigabyte Smashwords thumb drive featuring 349 free romance ebooks from 349 Smashwords authors.
The promotion puts hundreds of Smashwords authors in the hands of the romance industry's most influential participants.
Among the 2,000 RT Booklovers Convention attendees are readers, published authors (both indie and traditional), aspiring authors, bloggers, and more than 300 industry professionals including publishers, librarians, booksellers, book reviewers, literary agents and media.
The promotion builds upon a similar promotion we produced last year at the RWA conference in Atlanta which featured over 100 authors.
All registered authors for the RT Booklovers convention were offered the opportunity to be included in this drive. The drive received heavy advance promotion by the conference organizers. Filling out the drive are hundreds of popular Smashwords romance authors including several NY Times and USA Today bestsellers.
The promotion was offered free of charge to participating authors and publishers. Each author received a dedicated folder featuring their book in multiple formats. The drive includes a PDF that lists all participating authors and books, along with direct hyperlinks to each author's Smashwords profile page so readers can check out the authors' other books. The drive also includes two free digital issues of RT Book Reviews Magazine and a free Smashwords publishing kit
This promotion is one of the many perks of working with Smashwords. It's our way of saying thank you for publishing and distributing with Smashwords! We hope to do similar promotions in the future to support our authors. If you're on the conference planning committee for a large (500+ attendees) writers conference, drop us a line!
If you're attending RT Booklovers, come say hello at my workshops and panels:
Wednesday, May 14 - 12:00pm to 1:00pm
Money, Money, Money — Facts & Figures For Financial Payoff
In this workshop, you'll be the first to learn the results of the third annual Smashwords Survey, an RT Booklover’s exclusive. Check out last year's 2013 Smashwords survey here. Next week I'll post the new survey here at the blog.
Thursday, May 15 - 10:00am to 11:00am
How To Top The Charts With E-book Preorders
I'll do a deep dive into preorders, the most significant new sales tool for romance authors. Learn strategies and best practices that will help you increase the discoverability, merchandising and sales of all your titles.
Friday, May 16, 2014 - 11:15am to 12:15pm
Digital DIY: The Pros & Cons of Digital Self-Publishing
I'm on a panel moderated by the amazing Sylvia Day. Other panelists include Lindsey Faber (Samhain), Kristen Proby, Karin Tabke (aka Karin Harlow) and Stephanie Tyler. Join us as we discuss the benefits and pitfalls of self publishing.
Friday, May 16, 2014 - 1:30pm to 2:30pmBelow is a complete list of all participating authors and their featured books, alpha-sorted by author first name (Download the PDF with hyperlinks of featured romance authors here). Congrats everyone, and thanks for participating! Thanks also to Carol Stacy, JoCarol Jones and the entire team at RT Booklovers for supporting this fun and important promotion. And thanks to Jim, Aaron and Angela on the Smashwords team for managing this massive project.
I'm a Self-Published Bestseller. Here's How I Did It
I'm joining Smashwords mega-bestseller Kristen Ashley to discuss everything you need to know about self-publishing – from formatting, pricing and cover design to growing your fan base. You’ll also hear Kristen’s self-publishing journey – from deciding to self-publish to quitting her day job to negotiating a publishing contract.
Author - Book Title
Adam Kunz - Two Little Lies
Addison Moore - Beautiful Oblivion
Adriana Hunter - Captive Heart
Adrianna Dane - Delicious Sinn
Alanna Coca - Fine Print
Alannah Lynne - Savin' Me
Alexia Purdy - Keep Breathing
Alice Gaines - The Sixth Lover
Allie K. Adams - Rescue Me
Alyssa Kress - The Heart Heist
Alyssa Rose Ivy - The Hazards of Skinny Dipping
Amanda Jason - Lucky Number Four
Amanda McIntyre - Rugged Hearts
Amanda Still - Echoes of the Storm
Amber Kell - Mate Hunt
Amelia James - Secret Storm
Amy Miles - Captivate
Amy Mullen - A Stormy Knight
Amy Jarecki - Captured by the Pirate Laird
Andrea Parnell - Devil Moon
Angela Verdininus - The Lawson Boys: Marty
Angela White - The Change: Episode one
Angharad Jones - Mirabelle
Angie Fox - The Accidental Demon Slayer
Ann Somerville - A Fluffy Tale
Anna Katmore - Neverland
Anne Marie Novark - The Doctor Wears A Stetson
Anne Marie Beck - Tropical Escape
Annie Nicholas - Bait
Arabella Quinn - Rock Me - Crazy
Arianne Richmonde - A Taste of Pearl
Ariella Moon - Spell Check
Aris Whittier - Secrets
Ashleigh Raine - Acting on Impulse
Ashley Rhodes - Submitting to Him
Asrai Devin - Second Chance Romance
Autumn Dawn - The Charmer
Ava Stone - My Favorite Major
Barbara Freethy - On A Night Like This
Barry Eisler - Paris is a Bitch
Becca Jameson - Completed
Belinda Boring - Loving Liberty
Beth Williamson - The Circle Eight: Caleb
Bethany Lopez - 8 Weeks
Bianca Sommerland - Game Misconduct
Bianca D'Arc - Tales of the Were: Rocky
Bianca Giovanni - First Dance
Brei Betzold - Painted Lines
Brenda Rothert - Bound
Brenda K. Davies - Awakened
Bronwen Evans - To Dare the Duke of Dangerfield
C. Shell - Anonymously Yours
C.G. Powell - Spell Checked
C.J. Duggan - The Boys of Summer
Cali MacKay - The Highlander's Hope
Calle J. Brookes - Hunting
Callie Hart - Deviant
Camilla Chafer - Armed and Fabulous
Candice Hern - A Proper Companion
Cari Hislop - The Invisible Husband
Carly Fall - The Light Within Me
Caroline Hanson - Love Is Darkness
Caroline Clemmons - The Most Unsuitable Wife
Caryn Moya Block - Alpha's Mate
Casey McMillin - You're Dangerous
Cassandra Carr - Public Affairs
Cat Johnson - Cinderella Liberty
Catherine Gayle - On the Fly
Catherine Bybee - Embracing the Wolf
Cathryn Fox - Torn Between Two Brothers
Cecilia Tan - Daron's Guitar Chronicles: Volume Two
Chanda Hahn - The Iron Butterfly
Charlene Wilson - The Transformation of Anna
Chautona Havig - Past Forward Volume 1
Cherise Sinclair - Club Shadowlands
Cheryl Douglas - Strike Out
Christi Corbett - Along the Way Hone
Christie Rich - Five
Christina Pilz - Fagin's Boy
Christina Thatcher - The Bequest
Christine MacKenzie - Run Rosie Run
Christine Kersey - Over You
Christine M. Butler - Shadows of the Ancients
Cindy C. Bennett - Immortal Mine
CJ Roberts - Captive in the Dark
CJ Archer - The Wrong Girl
Claudia Hall Christian - The Denver Cereal
Claudy Conn - Hungry Moon-Quicksilver
Connie Shelton - Sweet Masterpiece
Cora Seton - The Cowboy's E-Mail Order Bride
Cyndi Friberg - Royal Obsession
Cyndi Tefft - Between
Cynthia Wicklund - In the Garden of Disgrace
Dani Collins - Hustled to the Altar
Darcee Tana - Advertising for Love
Darlene A. Halliday - Something Missing
David M. Wind - The Cured
Debra Diaz - Shadow of Dawn
Dee Davis - The Promise
Desiree Holt - Collision Course
Devyn Dawson - Sapphire, A Werewolf Love Story
Diana Fraser - The PA's Revenge
Donna McDonald - Carved in Stone
Doug Welch - Sail Beyond Tomorrow
DW Cee - Indelible Love - Emily's Story
E Kelly - One Heart ~ Two Souls
E.L. Todd - Only For You
Eden Bradley - Sanctuary
Elena Dillon - Breathe
Elena Aitken - Unexpected Gifts
Elise Marion - The Third Son
Eliza Knight - The Highlander's Reward
Elizabeth Reyes - Abel
Elizabeth Hunter - The Scribe
Elizabeth Schulte - Easy Bake Coven
Elizabeth Bevarly - The Ring on Her Finger
Elizabeth Kelly - Red Moon
Elizabeth Kolodziej - Vampyre Kisses
Ella Ardent - The Best Man
Emily Evans - The Accidental Movie Star
Emily Cantore - My Billionaire Boss (The Complete Series)
Emily Hemmer - The Break-Up Psychic
Emma Daniels - Ocean of Fire
Emma Jay - At the Cowboy's Mercy
Erica Stevens - Captured
Eva Pohler - The Gatekeeper's Sons
Evangeline Anderson - Claimed
Frances Rose - Halo
Gemma Halliday - Spying in High Heels
Ginger Voight - Enticed
GJ Walker-Smith - Saving Wishes
Gretchen Galway - This Time Next Door
H.O. Charles - City of Blaze
Heather Wardell - Go Small or Go Home
Heather Gunter - Changing Tunes
Heather Gray - Just Dessert
Hildie McQueen - A Different Shade of Blue
HP Mallory - Better Off Dead
Isabel Keats - Algo más que vecinos
Isabelle Rae - When Summer Ends
J.C. Isabella - Chasing McCree
J.C. Daniels - Blade Song
J.E. Taylor - Night Hawk
J.M. Snyder - Just the Three of Us
J.R. Rain - Moon Dance
Jack Erickson - A Streak Across the Sky
Jae - Something in the Wine
Jami Alden - Blame It On Your Heart
Jana Leigh - Boots, Chaps, and Cowboy Hats
Jane Charles - His Christmas Match
Janet Miller - Promises to Keep
Jasmine Haynes - Somebody's Lover
Jayna Vixen - Satin and Steel
JD Nixon - Heller
Jeanette Battista - Long Black Veil
Jeffe Kennedy - Petals and Thorns
Jemma Jones - Priceless Desire, The Billionaire Seduction
Jenna Bennett - Island Getaway
Jenna Elizabeth Johnson - Lorehnin - A Novel of the Otherworld
Jennifer Malone Wright - The Vampire Hunter's Daughter The Complete Collection
Jennifer Bray-Weber - Bring Me the Horizon
Jennifer Comeaux - Life on the Edge
Jennifer Probst - Play Me
Jennifer Saints - Wild Irish Ride
Jesi Lea Ryan - Arcadia's Gift
Jessica Freely - Unlawful: Book 1
Jill Sanders - Finding Pride
JoAnne Kenrick - Sweet Irish Kiss
Joely Sue Burkhart - The Rose of Shanhasson
John Ling - Fallen Angel
Joni Hahn - Agent I1 - Tristan
Jordan Summers - Phantom Warriors 2 - Saber-tooth
Jordan Castillo Price - Turbulence 1: Into the Bermuda Triangle
Jordan Hawk - Widdershins
Jordan Deen - The Crescent
Josephine Myles - Tailor Made
Josh Lanyon - Perfect Day
Julie Ortolon - Almost Perfect
Julie Prestsater - Against the Wall
Julie Johnstone - Bargaining With A Rake
Justine Elvira - Changing His Game
K Matthew - A Month with Werewolves
K.E. Saxon - Highland Vengeance
K.F. Breene - Into the Darkness
Kacey Hammell - 69 Mustang
Kahlen Aymes - Angel After Dark, The After Dark Series, #1
Kait Nolan - Genesis
Kallysten - Bodyguards
Karen Erickson - Indulgent Pleasures
Karen Stivali - Meant To Be
Kate Angell - Squeeze Play
Kate Kelly - In Plain Sight
Kate Pearce - Educating Elizabeth
Kate Hewitt - The Other Side of the Bridge
Kathryn Shay - Someone To Believe In
Katy Madison - Lord Coleraine's Scandalous Offer
Kelly Mooney - A Long Goodbye
Kelly McClymer - The Fairy Tale Bride
Kelly Martin - BIG is Beautiful
Kirsten Osbourne - Mail Order Mama
Kirsty Moseley - Nothing Left to Lose
Kitty French - Knight and Play
Kris Pearson - Christmas Holiday Husband
Kristine Kathryn Rusch - The Death of Davy Moss
Kym Grosso - Kade's Dark Embrace
L.M. Trio - The Game Changer
Lacey Weatherford - Tell Me Why
Lacy Williams - First Kisses
Lara Adrian - A Touch of Midnight
Laura Briggs - The Wedding Caper
Laura Harner - Highland Shift
Lauren Blakely - First Night
Lee Strauss - Sun & Moon
Lexi Blake - Steal the Light
Lila Dubois - Elemental Pleasure
Lili Saint Germain - Seven Sons
Lily Graison - A Willow Creek Christmas
Lily Zante - The Proposal
Lindsay Buroker - Balanced on the Blade's Edge
Lindsay Delagair - Untouchable
Linnea Sinclair - The Down Home Zombie Blues
Lisa Renee Jones - Tall, Dark, and Deadly 3 book box set
Liz Fielding - A Point of Pride
Lola Drake - Wrong Time for Love
Lori Crawford - Royal Opposites
Lori Ryan - Legal Ease
Lucinda Brant - Salt Bride
Lynn Hubbard - Run Into The Wind
M Malone - One More Day: The Alexanders, Book 1
Maggie Shayne - Texas Homecoming
Mandy Rosko - The Princess' Dragon Lord
Maree Anderson - Freaks of Greenfield High
Marie Kelly - Blackmailing the Billionaire
Marie Hall - A Moment
Marisa Chenery - Wild Craving
Marsha Canham - The Pride of Lions
May McGoldrick - Borrowed Dreams
Megan Hart - Driven
Megan Bryce - Some Like It Perfect
Melanie Nilles - At the Water's Edge
Melanie Jackson - Belle
Melissa Pearl - Betwixt
Melissa Haag - Hope(less)
Melody Grace - Untouched
Meredith Bond - Air: Merlin's Chalice
Merry Farmer - In Your Arms
Mia Dymond - Leather, Lace and Rock-n-Roll
MJ Fredrick - Waltz Back to Texas
Monica Burns - Love's Revenge
Morgan Rayne - A Different Kind of Fairy Tale
Nancy Straight - Blood Debt
Nashoda Rose - Tear Asunder
Natasha Preston - Silence
Neneh Gordon - Black Girls and Bad Boys - Stealing Loretta
Nicky Charles - Bonded
Nicola Claire - A Flare Of Heat
Nicola Marsh - Before
Nicole MacDonald - The Arrival
Nicolette Pierce - The Big Blind
Niki Savage - Lily's Reprieve
Nikita Rae - Winter
Nikki Sex - Carmen's New York Romance Trilogy
Nikki Jefford - Entangled
Norah Wilson - Guarding Suzannah
Olivia Hardin - Sweet Magic Song
Olivia Brynn - Falling Star
Opal Carew - Taken by Storm
P.O. Dixon - Pride and Sensuality
Patti Larsen - Exit Stage Left
Peggy Webb - Phantom of Riverside Park
Penelope Fletcher - Bedevil
Quinn Loftis - Prince of Wolves
R.E. Butler - Mate of Her Heart
R.G. Alexander - Big Bad John
R.L. Mathewson - Playing for Keeps
Rachel Higginson - Starbright
Rachel Van Dyken - Fall - A Seaside Novel
Rachel Brookes - Just Breathe
Raja Sharma - Nothing is Romantic Now
Randi Alexander - Cowboy Jackpot: Christmas
Rhian Cahill - All Of You
Rita Hestand - Stand By Me
Robert Lubrican - Any Soldier
Roz Lee - Inside Heat
Rucy Ban - Wear You Down
Ruth Cardello - Maid for the Billionaire
Ruth Ann Nordin - The Earl's Scandalous Wife
S. Walden - Good
S.C. Stephens - Collision Course
S.H. Kolee - Of Love & Regret
Sabrina York - Rebound
Sahara Kelly - Falling
Sally Berneathy - Ghost of Summer
Samantha Towle - First Bitten
Samantha Young - Into the Deep
Sandra Marton - Emily: Sex & Sensibility
Sandra S. Kerns - The Butterfly Connection
Sara York - Pray the Gay Away
Sarah Woodbury - Daughter of Time
Sarah Mayberry - Satsifaction
SaraLynn Hoyt - Dangerous Heart
Sarra Cannon - The Moment We Began
SE Culpepper - Lost Won
Selena Kitt - Temptation
Sharon Cramer - The Execution
Sharon Gerlach - The Secret Dreams of Sarah-Jane Quinn
Shelli Stevens - The Billionaire's Baby Bargain
Sherry Sirna - Forever Young
Shoshanna Evers - Beauty and the Beast (an erotic re-imagining)
Sky Corgan - Damaged
Sloan McBride - Dangerous Heat
Stacey Wallace Benefiel - Crossing
Stephanie Hudson - Afterlife Saga
Stephanie Julian - An Indecent Proposition Part I
Stephen Leather - Private Dancer
Susan Stephens - Hunter (Once Upon A Time)
Suzy Turner - Forever Fredless
Sylvia McDaniel - Wronged
Sylvia Hubbard - Wicked Chances
T Gephart - A Twist of Fate
T. Lynne Tolles - Blood of a Werewolf
T.A. Grey - The Loneliest Alpha
Tallulah Grace - Cliffs of Starsdale
Tammy Falkner - Tall, Tatted and Tempting
Tara Brown - For Love or Money
Tara Shuler - Shelter
Tawdra Kandle - The Posse
Tawny Taylor - Boxed Set - My Alpha Billionaire
Terri Brisbin - A Love Through Time
Terry Spear - Huntress for Hire
Tess Oliver - Paradise
The Abbotts - Girl on an Ice Floe
Theresa Marguerite Hewitt - Two Weeks With a SEAL
Tiffany King - Unlikely Allies
Tiffany Reisz - Felt Tips: Office-Supply Erotica
Tori Minard - Darkness Awakened (Dark Empire #2)
Tracy Falbe - Union of Renegades
Tracy Ellen - A Date with Fate
V.J. Chambers - Slow Burn
Vera Roberts - The Nanny
Vianka Van Bokkem - Vampire Crown Princesses & Princes
Victoria Danann - My Familiar Stranger
Victoria DuBois - The Adventures of Tiffany (Masquerade Ball)
Viola Grace - Knowing
Virginia Wade - Lily
Virginia Henley - Master of Paradise
Vivi Andrews - Spinning Gold
Vivi Dumas - Sweet Revenge
Yamila Abraham - A God to Rule Her
###
Friday, May 9, 2014
Ebook Preorders at Barnes & Noble Help Indies Scale Bestseller List
If you want to maximize your odds of hitting the ebook bestseller lists at Barnes & Noble, ebook preorders via Smashwords are your ticket.
Most Smashwords authors who've done ebook preorders with Smashwords know that one of the many great advantages of a preorder is that accumulated preorders credit all at once at Apple and Kobo on the day the book goes onsale, causing the book to pop in the bestseller lists.
What most authors don't know is that the same magical dynamic happens at Barnes & Noble as well. I didn't know this until today!
If you're not incorporating preorders - and specifically B&N preorders - into your next book launch, you're missing out.
In a nutshell, here's how the dynamic works at B&N, Apple and Kobo: Let's say your book is listed on preorder for 60 days in advance of your official onsale date. Let's say that at B&N (or iBooks or Kobo) your book accumulates 15 orders per day. After two months of order accumulation, you'd have 900 orders. These 900 orders would credit all at once on the first day when your book goes onsale.
Since every retailer's bestseller charts are based upon unit sales, and all charts give greater weighting to sales credited during the most recent 24-hour period, it's like selling 900 copies in a single day. And that's before counting the additional sales that come once the book goes onsale. With 900+ sales at any retailer in a day, you're going to land near the top of your book's genre or category list, and probably also within the store's top-10 or top-20 store-wide bestseller list.
You don't need to accumulate 900 orders to receive a boost from preorders. Even 10, 20 or 30 accumulated orders will give you an incremental discoverability advantage.
By landing higher in the charts, your book becomes more visible and more desirable to readers who use the bestseller lists to discover their next read. And let's not forget the value of the permanent bragging rights that come when your book achieves bestseller status at multiple retailers.
Ever since we announced preorder distribution last July to iBooks, B&N and Kobo, I mistakenly believed that B&N preorders didn't deliver the same first-day kick in the charts. I began to question my assumption last week when Nicky Charles' new preorder release, Betrayed: Book Two - The Road to Redemption, landed near the top of the charts at Barnes & Noble (she did the same at iBooks!). When I looked closely at the B&N sales reports, I noted that all her preorders credited on the first day. Earlier today I confirmed the behavior with our friends at B&N. Yay!!
So there you have it. The day-one pop in the charts at B&N is confirmed. If you're not yet distributing preorders via Smashwords to B&N, iBooks and Kobo, plan now to do it with your next release. Multiple Smashwords authors have already hit the bestseller lists - and charted higher - thanks the added kick of preorders.
Learn more about ebook preorders at http://smashwords.com/preorder, or in my ebook preorder strategy blog post and presentation, Hit the Ebook Bestseller Lists - A Guide to Ebook Preorder Strategy.
Oh, we haven't announced this yet (well, I suppose I'm announcing it today!) - Once your preorder is loaded at Smashwords, you can now change the onsale date self-serve from your Smashwords Dashboard (thank you Daphne on the Smashwords engineering team!).
Next Thursday May 15 at the RT Convention in New Orleans, and then again on May 31 at uPublishU in New York City, I'm presenting a workshop on ebook preorder strategy. I hope you can join us! In June I'll probably do a video on preorder strategy and add it to our collection of ebook publishing tutorials at YouTube.
Most Smashwords authors who've done ebook preorders with Smashwords know that one of the many great advantages of a preorder is that accumulated preorders credit all at once at Apple and Kobo on the day the book goes onsale, causing the book to pop in the bestseller lists.
What most authors don't know is that the same magical dynamic happens at Barnes & Noble as well. I didn't know this until today!
If you're not incorporating preorders - and specifically B&N preorders - into your next book launch, you're missing out.
In a nutshell, here's how the dynamic works at B&N, Apple and Kobo: Let's say your book is listed on preorder for 60 days in advance of your official onsale date. Let's say that at B&N (or iBooks or Kobo) your book accumulates 15 orders per day. After two months of order accumulation, you'd have 900 orders. These 900 orders would credit all at once on the first day when your book goes onsale.
Since every retailer's bestseller charts are based upon unit sales, and all charts give greater weighting to sales credited during the most recent 24-hour period, it's like selling 900 copies in a single day. And that's before counting the additional sales that come once the book goes onsale. With 900+ sales at any retailer in a day, you're going to land near the top of your book's genre or category list, and probably also within the store's top-10 or top-20 store-wide bestseller list.
You don't need to accumulate 900 orders to receive a boost from preorders. Even 10, 20 or 30 accumulated orders will give you an incremental discoverability advantage.
By landing higher in the charts, your book becomes more visible and more desirable to readers who use the bestseller lists to discover their next read. And let's not forget the value of the permanent bragging rights that come when your book achieves bestseller status at multiple retailers.
Ever since we announced preorder distribution last July to iBooks, B&N and Kobo, I mistakenly believed that B&N preorders didn't deliver the same first-day kick in the charts. I began to question my assumption last week when Nicky Charles' new preorder release, Betrayed: Book Two - The Road to Redemption, landed near the top of the charts at Barnes & Noble (she did the same at iBooks!). When I looked closely at the B&N sales reports, I noted that all her preorders credited on the first day. Earlier today I confirmed the behavior with our friends at B&N. Yay!!
So there you have it. The day-one pop in the charts at B&N is confirmed. If you're not yet distributing preorders via Smashwords to B&N, iBooks and Kobo, plan now to do it with your next release. Multiple Smashwords authors have already hit the bestseller lists - and charted higher - thanks the added kick of preorders.
Learn more about ebook preorders at http://smashwords.com/preorder, or in my ebook preorder strategy blog post and presentation, Hit the Ebook Bestseller Lists - A Guide to Ebook Preorder Strategy.
Oh, we haven't announced this yet (well, I suppose I'm announcing it today!) - Once your preorder is loaded at Smashwords, you can now change the onsale date self-serve from your Smashwords Dashboard (thank you Daphne on the Smashwords engineering team!).
Next Thursday May 15 at the RT Convention in New Orleans, and then again on May 31 at uPublishU in New York City, I'm presenting a workshop on ebook preorder strategy. I hope you can join us! In June I'll probably do a video on preorder strategy and add it to our collection of ebook publishing tutorials at YouTube.
Wednesday, May 7, 2014
Ebook Publishing in the Classroom - Los Gatos High School Freshmen Publish Amazing Poetry Anthology
Yesterday, a group of 120 high school freshman students from Los Gatos High School published an amazing poetry anthology ebook, Windows to the Teenage Soul.
If you're a parent, grandparent, educator, author or reader who cares about the future of books, I encourage you to go buy and enjoy this incredible book. It's available now at Smashwords, iBooks, Amazon or Barnes & Noble. Yesterday it was the bestselling poetry book at iBooks.
Buy it not because it's a great book (it is!), but because this book will serve as the blueprint to help educators and parents around the globe bring similar ebook publishing projects to the classroom.
In addition to nearly 120 great poems organized under ten themes, it contains a Teacher's Guide that shares the step-by-step process this class followed to professionally write, edit, produce and publish a poetry anthology ebook in under five weeks. I wrote the preface to the Teacher's Guide.
I want to see similar poetry and creative writing ebook publishing projects incorporated into the curriculum of classrooms around the globe. With your help, we can make it happen for the benefit of the children and young adults in every community.
Thanks to free ebook publishing platforms such as Smashwords, the democratization of retail distribution, and the best practices publishing knowledge of indie authors, projects such as this are now feasible for elementary school students, high school students and college students around the globe. Such projects will teach students how to collaborate to write, produce and publish ebooks. In the process, the world's next generation of writers will gain a practical appreciation for the magic of words and the joy of publishing.
The project grew out of an ongoing collaboration between The Los Gatos Public Library and Smashwords.
For the last few years, I've been working with town librarian Henry Bankhead to develop community publishing programs in partnership with the library. The goal of our partnership is to identify systems, processes and initiatives that libraries everywhere can implement to foster a culture of professional authorship in their local communities.
I blogged about our work with Los Gatos Public Library and my vision for libraries-as-community-publishing-portals last year for The Huffington Post. As I mentioned in the post, we ran a pilot program in which Smashwords presented three educational workshops at the library to help library staff and local writers learn how to e-publish like professionals.
Following the initial pilot program with the library, Henry Bankhead and I started brainstorming how we could take our community publishing ideas to the next level. I thought it would be really cool if we could collaborate with my alma matter, Los Gatos High School, to incorporate an ebook publishing pilot project into the class curriculum for a creative writing class.
The idea was that such a project would be really fun for the students, and would help them gain a practical appreciation for writing and publishing. So Henry arranged for the two of us to meet with teacher Tonya McQuade who taught three periods of freshman honors poetry classes of about 25 students each. Tonya agreed to lead the project, and also arranged for another freshman poetry teacher, Kathleen Wehr, to participate. Kathleen brought with her about 50 more students, increasing the total number of students to around 120.
Henry Bankhead also applied for, and received, a modest grant to create a "mobile publishing lab" comprised of a Mac laptop, software and several iPads which were donated to the school to support the project.
In my original project proposal, I suggested that that classes price their ebook at FREE, because that price would help the students reach the most readers. However, after speaking with fellow teachers, Tonya McQuade came up with the idea to give the book a price so the freshman class could use the book as a fundraiser to raise money for the students' 2016 senior ball. Cool beans! What a great idea!
I gave two sets of presentations to each of the five classes, each about 50 minutes long. The first presentation was an Introduction to Ebook Publishing, and the second presentation focused on 16 best practices for professional ebook publishing. The goal of both presentations was to train the students how to think like a professional indie author. Download Ebook Publishing in the Classroom at Slideshare. I give permission to all educators to take my presentations and use them or modify them for use in their classrooms.
Next, the students broke into different project teams to emulate the workflow and functional responsibilities of a professional publisher.
The teams included Editing, Layout & Design, Art & Photography and Marketing & Publicity.
There was a dual purpose to these breakout teams: 1. To help these young adults experience the processes and practices of professional publishing. 2. To get the book done! Without a distribution of responsibilities, it would have been impossible to pull off this project in a mere five weeks, and that's not counting nearly a week lost for spring break in the middle of the project!
I encourage you to download the book because the comprehensive Teacher's Guide in the book's appendix shares the planning documents and the step-by-step timelines and processes followed by Tonya McQuade. It also includes photographs of the teams in action, a copy of their press release, and instructions on how to write and promote a press release.
Last night the students held their book launch party at The Los Gatos Public Library. Over 100 students, proud parents and library patrons were on hand to hear the students give poetry readings from the book.
The even was standing room only. Henry Bankhead tells me it was one the largest and most well-attended events held at the library in the last year.
I'd like to give special thanks to Tonya McQuade of Los Gatos High School. This was an ambitious, first-of-it's-kind pilot project, and it wouldn't have been possible without her leadership and passion.
She believed in her students. She had the confidence that her students would rise to the occasion and attack this project with passion and enthusiasm, and that's exactly what they did. She represents the best of the best educators everywhere. And thanks to the power of ebook self publishing, fellow educators now have the tools they need to unlock, unleash and realize the creative potential that lives within every child and young adult.
This important project - where group of high school students publish a bestselling poetry anthology available for purchase by a global audience at the world's largest retailers - would have been impossible just a few short years ago.
What Gutenberg did for mass market print book publishing, ebook self-publishing will do for the future of digital books. More better books will be published thanks to self-publishing, and the earlier writers are exposed to self publishing best practices, the better their writing will become.
If you're an indie author, educator, librarian or lover of books, you have an opportunity to help promote a culture of professional indie authorship in your community. Partner with your local library and school. Offer to be a mentor to provide local students and teachers the knowledge of how to self publish like a pro (these training presentations I gave above could just as easily be presented by a Smashwords author in the community!). Help schools build upon our experiences to implement similar ebook publishing class projects.
With your help, the next generation of readers and writers will gain a new appreciation for books and the joy of self publishing. And with your help, projects such as this will lead to more better books for generations to come.
If you're a parent, grandparent, educator, author or reader who cares about the future of books, I encourage you to go buy and enjoy this incredible book. It's available now at Smashwords, iBooks, Amazon or Barnes & Noble. Yesterday it was the bestselling poetry book at iBooks.
Buy it not because it's a great book (it is!), but because this book will serve as the blueprint to help educators and parents around the globe bring similar ebook publishing projects to the classroom.
In addition to nearly 120 great poems organized under ten themes, it contains a Teacher's Guide that shares the step-by-step process this class followed to professionally write, edit, produce and publish a poetry anthology ebook in under five weeks. I wrote the preface to the Teacher's Guide.
I want to see similar poetry and creative writing ebook publishing projects incorporated into the curriculum of classrooms around the globe. With your help, we can make it happen for the benefit of the children and young adults in every community.
Thanks to free ebook publishing platforms such as Smashwords, the democratization of retail distribution, and the best practices publishing knowledge of indie authors, projects such as this are now feasible for elementary school students, high school students and college students around the globe. Such projects will teach students how to collaborate to write, produce and publish ebooks. In the process, the world's next generation of writers will gain a practical appreciation for the magic of words and the joy of publishing.
![]() |
| On its day of release, Windows to the Teenage Soul hit #1 in the Poetry category at iBooks |
For the last few years, I've been working with town librarian Henry Bankhead to develop community publishing programs in partnership with the library. The goal of our partnership is to identify systems, processes and initiatives that libraries everywhere can implement to foster a culture of professional authorship in their local communities.
I blogged about our work with Los Gatos Public Library and my vision for libraries-as-community-publishing-portals last year for The Huffington Post. As I mentioned in the post, we ran a pilot program in which Smashwords presented three educational workshops at the library to help library staff and local writers learn how to e-publish like professionals.
Following the initial pilot program with the library, Henry Bankhead and I started brainstorming how we could take our community publishing ideas to the next level. I thought it would be really cool if we could collaborate with my alma matter, Los Gatos High School, to incorporate an ebook publishing pilot project into the class curriculum for a creative writing class.
The idea was that such a project would be really fun for the students, and would help them gain a practical appreciation for writing and publishing. So Henry arranged for the two of us to meet with teacher Tonya McQuade who taught three periods of freshman honors poetry classes of about 25 students each. Tonya agreed to lead the project, and also arranged for another freshman poetry teacher, Kathleen Wehr, to participate. Kathleen brought with her about 50 more students, increasing the total number of students to around 120.
Henry Bankhead also applied for, and received, a modest grant to create a "mobile publishing lab" comprised of a Mac laptop, software and several iPads which were donated to the school to support the project.
In my original project proposal, I suggested that that classes price their ebook at FREE, because that price would help the students reach the most readers. However, after speaking with fellow teachers, Tonya McQuade came up with the idea to give the book a price so the freshman class could use the book as a fundraiser to raise money for the students' 2016 senior ball. Cool beans! What a great idea!
I gave two sets of presentations to each of the five classes, each about 50 minutes long. The first presentation was an Introduction to Ebook Publishing, and the second presentation focused on 16 best practices for professional ebook publishing. The goal of both presentations was to train the students how to think like a professional indie author. Download Ebook Publishing in the Classroom at Slideshare. I give permission to all educators to take my presentations and use them or modify them for use in their classrooms.
![]() |
| LGHS students broke into functional working groups to tackle different aspects of the book publishing process |
The teams included Editing, Layout & Design, Art & Photography and Marketing & Publicity.
There was a dual purpose to these breakout teams: 1. To help these young adults experience the processes and practices of professional publishing. 2. To get the book done! Without a distribution of responsibilities, it would have been impossible to pull off this project in a mere five weeks, and that's not counting nearly a week lost for spring break in the middle of the project!
![]() |
| Jim Azevedo, marketing director at Smashwords, mentors the students on how to write a press release and promote their book launch through social and traditional media |
Last night the students held their book launch party at The Los Gatos Public Library. Over 100 students, proud parents and library patrons were on hand to hear the students give poetry readings from the book.
The even was standing room only. Henry Bankhead tells me it was one the largest and most well-attended events held at the library in the last year.
| Book launch of Windows to the Teenage Soul at Los Gatos Public Library the May 6, 2014. Several students read their poems. |
She believed in her students. She had the confidence that her students would rise to the occasion and attack this project with passion and enthusiasm, and that's exactly what they did. She represents the best of the best educators everywhere. And thanks to the power of ebook self publishing, fellow educators now have the tools they need to unlock, unleash and realize the creative potential that lives within every child and young adult.
This important project - where group of high school students publish a bestselling poetry anthology available for purchase by a global audience at the world's largest retailers - would have been impossible just a few short years ago.
What Gutenberg did for mass market print book publishing, ebook self-publishing will do for the future of digital books. More better books will be published thanks to self-publishing, and the earlier writers are exposed to self publishing best practices, the better their writing will become.
If you're an indie author, educator, librarian or lover of books, you have an opportunity to help promote a culture of professional indie authorship in your community. Partner with your local library and school. Offer to be a mentor to provide local students and teachers the knowledge of how to self publish like a pro (these training presentations I gave above could just as easily be presented by a Smashwords author in the community!). Help schools build upon our experiences to implement similar ebook publishing class projects.
With your help, the next generation of readers and writers will gain a new appreciation for books and the joy of self publishing. And with your help, projects such as this will lead to more better books for generations to come.
Wednesday, April 23, 2014
Indie Author Manifesto
Over the last six years since founding Smashwords, I've witnessed a dramatic change in attitudes regarding self publishing. I'm pleased that much of this transformation has been led by the professional example of Smashwords authors.
Where once self publishing was viewed as the option of last resort - the option for failed writers and an option marked by stigma and shame - self publishing is increasingly viewed as the option of first choice for many writers. Over the next couple years I think we'll reach a point where more first-time writers aspire to indie-publish than traditionally publish. Indie authors are the cool kids club.
All writers possess unrealized potential, and indie authors understand that. Ebook self publishing provides the mechanism by which every writer's true potential can be realized.
At writers conferences I've met numerous Smashwords authors who are moved to happy tears when they describe how self publishing has transformed their lives. I've lost track of the number of times I've felt a lump grow in my throat as I hear their inspiring stories. These encounters are deeply moving to me, and I trust that you too have experienced the same.
Outside observers might counter that of course the bestsellers feel this way. Yes, that's true, but as any indie author will tell you, the joy of self publishing cannot be distilled to dollar metrics alone. How does one describe the importance of independence, freedom and self-determination?
Critics say self publishing is causing a tsunami of drek that will destroy book culture and render the best books undiscoverable. Not true. Yes, self publishing will enable more horrible books to be published than ever before, but it will also enable more better books to be published, discoverable and enjoyable than ever before. There's a yin and yang to this.
It's not an exaggeration to describe the indie author revolution as a global cultural movement. I think we're witnessing something profound here as we transition from a publisher-centric world to an author-centric world. The rise of indie authorship as a global cultural movement is driven by profound changes in social norms, ethical values, customs, belief systems, technology and business practices.
With this radical change in mind, today I attempt to describe the movement and motivations of its drivers - the indie authors - in the form of my Indie Author Manifesto.
I attempt to answer a simple question: What does it mean to be an indie author? I've distilled the movement down to ten principles that I think capture the mindset of indie authors.
I tip my hat to the many great manifestos that have come before my own meager attempt, including the US Declaration of Independence, the 10 Commandments and Martin Luther's 95 Thesis among others.
THE INDIE AUTHOR MANIFESTO
We indie authors believe all writers are created equal, that all writers are endowed with natural creative potential, and that writers have an unalienable right to exercise, explore and realize their potential through the freedom of publication.
I hold these truths to be self-evident:
Derek Murphy (@creativindie / www.creativindie.com www.creativindiecovers.com) graciously created this infographic of the manifesto. Click to download, print or share!
I also wrote a version of the Indie Author Manifesto over at the Huffington Post.
Where once self publishing was viewed as the option of last resort - the option for failed writers and an option marked by stigma and shame - self publishing is increasingly viewed as the option of first choice for many writers. Over the next couple years I think we'll reach a point where more first-time writers aspire to indie-publish than traditionally publish. Indie authors are the cool kids club.
All writers possess unrealized potential, and indie authors understand that. Ebook self publishing provides the mechanism by which every writer's true potential can be realized.
At writers conferences I've met numerous Smashwords authors who are moved to happy tears when they describe how self publishing has transformed their lives. I've lost track of the number of times I've felt a lump grow in my throat as I hear their inspiring stories. These encounters are deeply moving to me, and I trust that you too have experienced the same.
Outside observers might counter that of course the bestsellers feel this way. Yes, that's true, but as any indie author will tell you, the joy of self publishing cannot be distilled to dollar metrics alone. How does one describe the importance of independence, freedom and self-determination?
Critics say self publishing is causing a tsunami of drek that will destroy book culture and render the best books undiscoverable. Not true. Yes, self publishing will enable more horrible books to be published than ever before, but it will also enable more better books to be published, discoverable and enjoyable than ever before. There's a yin and yang to this.
It's not an exaggeration to describe the indie author revolution as a global cultural movement. I think we're witnessing something profound here as we transition from a publisher-centric world to an author-centric world. The rise of indie authorship as a global cultural movement is driven by profound changes in social norms, ethical values, customs, belief systems, technology and business practices.
With this radical change in mind, today I attempt to describe the movement and motivations of its drivers - the indie authors - in the form of my Indie Author Manifesto.
I attempt to answer a simple question: What does it mean to be an indie author? I've distilled the movement down to ten principles that I think capture the mindset of indie authors.
I tip my hat to the many great manifestos that have come before my own meager attempt, including the US Declaration of Independence, the 10 Commandments and Martin Luther's 95 Thesis among others.
THE INDIE AUTHOR MANIFESTO
We indie authors believe all writers are created equal, that all writers are endowed with natural creative potential, and that writers have an unalienable right to exercise, explore and realize their potential through the freedom of publication.
I hold these truths to be self-evident:
- I am an indie author
- I have experienced the pleasure and satisfaction that comes from self-publishing
- I have a right to publish
- My creative control is important to me. I decide when, where and how my writing graduates to become a published book.
- Indie does not mean “alone.” I choose my partners.
- I shall not bow beholden or subservient to any publisher. In my business relationships, I seek partnership, fairness, equity and mutually aligned interests.
- We indie authors comprise diverse writers unified by a common purpose to advance, empower and celebrate writers everywhere.
- I am a professional. I take pride in my work, and I strive to improve my craft to better serve my readers, myself, my fellow indie authors and the culture of books
- My writing is valuable and important. This value and importance cannot be measured by commercial sales alone.
- I celebrate the success of my fellow indie authors, for their success is mine, and mine theirs. Together we are pioneering a better future for books marked by greater quality, creativity, diversity, choice, availability, affordability and accessibility.
Derek Murphy (@creativindie / www.creativindie.com www.creativindiecovers.com) graciously created this infographic of the manifesto. Click to download, print or share!
I also wrote a version of the Indie Author Manifesto over at the Huffington Post.
Saturday, April 19, 2014
Smashwords at uPublishU at BEA - Ebook Preorder Strategy and iBooks Merchandising Secrets
If you live within reach of New York City, don't miss the uPublishU self-publishing conference taking place Saturday, May 31 2014 at the Javits Center between 9am and 4pm.
40 speakers will share their smarts to help indie authors take their publishing to the next the level. Register before May 15 for $115 and save $100 off of the regular $215 registration fee. You'll find the registration link on the uPublishU landing page.
Smashwords will be there in force as a sponsor so I hope you can make it. We'll also have a table so please stop by and say hello.
The conference this year promises to be their best yet. They've broken the sessions into three concurrent tracks so you can choose the topics that best meet your goals and objectives. The three tracks include Bringing Your First Book to Market, Tools & Marketing Mania, and Publishing at the Next Level.
For a full list of sessions and workshops, click here.
I'm presenting two workshops:
1. 10:00 am – 10:50 am
2. 11:30 am – 12:20 pm
Click here to learn more about uPublishU
Click here to learn more about BEA and its many sister conferences occuring concurrently during the week.
See you in New York!
40 speakers will share their smarts to help indie authors take their publishing to the next the level. Register before May 15 for $115 and save $100 off of the regular $215 registration fee. You'll find the registration link on the uPublishU landing page.
Smashwords will be there in force as a sponsor so I hope you can make it. We'll also have a table so please stop by and say hello.
The conference this year promises to be their best yet. They've broken the sessions into three concurrent tracks so you can choose the topics that best meet your goals and objectives. The three tracks include Bringing Your First Book to Market, Tools & Marketing Mania, and Publishing at the Next Level.
For a full list of sessions and workshops, click here.
I'm presenting two workshops:
1. 10:00 am – 10:50 am
Hit the Bestseller Lists with Ebook Preorders: Preorder Strategy A-Z
Track: Tools & Marketing Mania
Room: 1E10
Learn how to make your book launch more successfully with ebook preorders. Preorders represent one of the most exciting new book launch tools for self-published ebook authors. In this session, Smashwords CEO Mark Coker will help unlock the secrets to preorder success. He’ll describe how preorders work, and will teach authors how to plan, stage and execute a successful preorder strategy. Using Mark’s methods, multiple Smashwords authors have hit the retailer bestseller lists. The recommended preorder strategies are grounded in professional publishing best practices that will help make any ebook launch more successful. Mark will share recent case study examples of how indie authors have used preorders to increase sales rank, sales and visibility.
2. 11:30 am – 12:20 pm
Apple iBooks Merchandising StrategiesuPublishU is one of several sister conferences taking place during BEA, North America's largest book conference. BEA is one of my favorite conferences, and it's been cool to see how self publishing is becoming a bigger piece of each year's conference.
Track: Publishing at the Next Level
Room: 1E11
Learn how to reach more readers at Apple' iBooks! iBooks is the world's second largest ebook retailer, and operates in 51 countries. In this session, Smashwords CEO Mark Coker will teach authors how to stand out in this fast-growing, indie-friendly ebook store where self-published titles regularly top the charts. Mark will teach attendees how books are merchandised at Apple, how ebook merchandising works, how merchandisers select titles for promotion, and what authors can do to maximize their odds of merchandising love. Although the session will focus on iBooks, the lessons learned are universal. Learn how to make your books stand out at every retailer.
Click here to learn more about uPublishU
Click here to learn more about BEA and its many sister conferences occuring concurrently during the week.
See you in New York!
Thursday, April 10, 2014
Female Authors Dominating Smashwords Ebook Bestseller Lists
The other day I was browsing our February 2014 Smashwords bestseller list at Publishers Weekly and realized that all the top 25 bestsellers were written by women. Cool beans.
Wondering if this was a fluke, I looked at our December 2013 Smashwords bestseller list at PW and bingo, same thing. All 25 books were written by women.
Then I looked at the bestseller list for November 2013. Same thing again. 100% women.
Our ebook bestsellers for October 2013? You guessed it, 100% women.
If you're wondering why I skipped January in the examples above, it's because we and PW decided to shift the publication schedule to increase timeliness, so we skipped January and published February in March.
Why are women dominating the Smashwords bestseller lists, other than the fact that these women are all super-awesome writers? One likely factor is that romance is the #1 bestselling genre at Smashwords, and romance is overwhelmingly written by women. I've said it before and I'll say it again: I'm constantly blown away the smarts, savvy and sophistication of romance authors. These ladies have pioneered many of the ebook publishing and distribution best practices that so many indies take for granted today.
But strong romance performance doesn't fully explain the story. While 2/3 of our February bestseller list was romance, 1/3 was not, with the remaining categories including historical fiction, fantasy and mystery.
Could it be that there are more female writers than male writers? I don't know the industry-wide or Smashwords-specific gender breakdowns.
Could it be fiction readers, which skew female, prefer books written by women because the authors are women, or because women write stories that are most appealing to women? I don't know.
For another reference point, I looked at today's top 25 bestsellers at the US iBooks store. 64% written by women. At Amazon US, 56% of today's top 25 bestsellers are written by women.
There's a pattern here, but my data points above are too limited to draw a statistically significant conclusion. For now, file the above under curious and unexplained observations.
Keep up the great work ladies!
Saturday, April 5, 2014
Free Series Starter Promotion at iBooks Features Dozens of Smashwords Authors
Apple iBooks this week introduced an international merchandising promotion in the US, Australia and New Zealand spotlighting free series starters. Smashwords-distributed books make over 80 appearances in the promotion.
All featured Smashwords authors are taking advantage of Smashwords' new Series Manager merchandising tool, which we launched back in September. As I mentioned in September, Series Manager enables authors to attach their titles to series, which makes it easy for readers to easily identify books within a series, or across related series. Just as importantly, series metadata gives Smashwords retailers greater flexibility to promote books within a series. Apple's FIRST IN A SERIES promotion is one such manifestation of the new merchandising opportunities now available to Smashwords authors thanks to Series Manager.
In the US iBooks store, featured Smashwords titles are organized under categories of Mysteries and Thrillers, Romance, Sci-Fi & Fantasy, Paranormal Romance and Teen Fiction. Please join me in congratulating the following Smashwords authors for their inclusion in this special merchandising feature:
Mysteries & Thrillers
Russell Blake - Night of the Assassin
Stephen Leather - Natural Selection
Mike Wells - Passion, Power & Sin
JD Nixon - Heller
Al Rennie - Clearwater Journals
Odette C. Bell - Trouble & Treasure
Romance
Lacey Weatherford - Crush
Lili St. Germain - Seven Sons
Lauren Blakely - The Start of Us
DW Cee - Emily's Story
Melody Grace - Untouched
Lisa Scott - Flirts! 5 Romantic Short Stories
Callie Hart - Deviant
Erica Stevens - Kindred
Rucy Ban - All My Life
Danelle Harmon - The Wild One
Abigail Strom - Cross My Heart
Lilianna Anderson - Too Close
Lily Graison - The Lawman
Anne Marie Novark - The Doctor Wears a Stetson
Sci-Fi & Fantasy
Frankie Rose - Sovereign Hope
Jason Halstead - Child of Fate
T.M. Nielsen - Dimension Shifter
John H. Carroll - Rojuun
G.P. Ching - The Soulkeepers
Jeffrey A. Carver - Neptune Crossing
Odette C. Bell - A Plain Jane
Joseph Lallo - Bypass Gemini
Randolph Lalond - Origins
Edward Crichton - The Last Roman
Jonathan Moeller - The Tower of Endless Worlds
Maree Anderson - Seer's Hope
Joseph Lallo - The Book of Deacon
TC Southwell - The Queen's Blade
Brian S. Pratt - The Unsuspecting Mage
Richard L. Sanders - The Phoenix Conspiracy
Sarah Woodbury - Daughter in Time
Michael Wallace - The Dark Citadel
TC Southwell - The Queen of Arlin
TC Southwell - The Broken World
Tara Brown - Cursed
Jessica Sorensen - Darkness Falls
Michael R. Hicks - First Contact (In Her Name: The Last War)
Paranormal Romance
Nicky Charles - Bonded
Erica Stevens - Captured
Kira Saito - Bound
Jessica Sorensen - Shattered Promises
Addison Moore - Ethereal
Rebecca Ethington - Kiss of Fire
Tenaya Jayne - Forbidden Forest
Claudy Conn - ShadowLove Stalkers
Maree Anderson - The Crystal Warrior
Lacey Weatherford - Of Witches and Warlocks: The Trouble with Spells
Kristen Middleton - Blur (Night Roamers)
Tara Brown - Cursed (Book 1 of the Devil's Roses)
M. Leighton - Madly
Rachel Higginson - Love and Decay
Teen Fiction
Chanda Hahn - UnEnchanted
GJ Walker-Smith - Saving Wishes
Quinn Loftis - Prince of Wolves
Amy Miles - Forbidden
Tracie Puckett - The New Girl
Jessica Sorenson - The Fallen Star
Julia Templeton - The Deepest Cut
Penelope Fletcher - Glamour
Kira Saito - Bound
Shelly Crane - Significance
Erica Stevens - Kindred
Melanie Nilles - Starfire Angels
Kaitlyn Davis - Ignite
Christie Anderson - Deep Blue Secret
K.A. Tucker - Anathema
Devyn Dawson - The Light Tamer
M. Leighton - Blood Like Poison: For The Love of a Vampire
Sophie Davis - Talented
India Lee - Hidden Gem
Elaine Pierson - Growl
Claire Farrell - Verity
M. Leighton - Madly
Jessica Sorenson - Ember
Jamie Campbell - Ignite
Sandra Thompson - The Ghostly Grammar Boy
Alicia Michaels - The Bionics
Ashlyn Daube - The Circle
Most of the titles above are also featured in Australia's and New Zealand's FIRST IN A SERIES FREE promotion. As a bonus, Australia/NZ features an additional category for Fiction, which includes the following Smashwords authors:
Free Series Starters - Fiction
Shayne Parkinson - Sentence of Marriage
Brian K. Larson - The Secret of Crystal
Congratulations to all featured authors, and thanks to the great team at Apple for their tremendous support of Smashwords authors!
If you're one of the lucky authors above, be sure to celebrate with your fans. Right mouse click the titles above to copy the direct hyperlink to the book. Just a quick reminder also to refer to the store as either iBooks (‘Download on iBooks’) or the iBooks Store (‘Available on the iBooks Store’), and not iTunes.
All featured Smashwords authors are taking advantage of Smashwords' new Series Manager merchandising tool, which we launched back in September. As I mentioned in September, Series Manager enables authors to attach their titles to series, which makes it easy for readers to easily identify books within a series, or across related series. Just as importantly, series metadata gives Smashwords retailers greater flexibility to promote books within a series. Apple's FIRST IN A SERIES promotion is one such manifestation of the new merchandising opportunities now available to Smashwords authors thanks to Series Manager.
In the US iBooks store, featured Smashwords titles are organized under categories of Mysteries and Thrillers, Romance, Sci-Fi & Fantasy, Paranormal Romance and Teen Fiction. Please join me in congratulating the following Smashwords authors for their inclusion in this special merchandising feature:
Mysteries & Thrillers
Russell Blake - Night of the Assassin
Stephen Leather - Natural Selection
Mike Wells - Passion, Power & Sin
JD Nixon - Heller
Al Rennie - Clearwater Journals
Odette C. Bell - Trouble & Treasure
Romance
Lacey Weatherford - Crush
Lili St. Germain - Seven Sons
Lauren Blakely - The Start of Us
DW Cee - Emily's Story
Melody Grace - Untouched
Lisa Scott - Flirts! 5 Romantic Short Stories
Callie Hart - Deviant
Erica Stevens - Kindred
Rucy Ban - All My Life
Danelle Harmon - The Wild One
Abigail Strom - Cross My Heart
Lilianna Anderson - Too Close
Lily Graison - The Lawman
Anne Marie Novark - The Doctor Wears a Stetson
Sci-Fi & Fantasy
Frankie Rose - Sovereign Hope
Jason Halstead - Child of Fate
T.M. Nielsen - Dimension Shifter
John H. Carroll - Rojuun
G.P. Ching - The Soulkeepers
Jeffrey A. Carver - Neptune Crossing
Odette C. Bell - A Plain Jane
Joseph Lallo - Bypass Gemini
Randolph Lalond - Origins
Edward Crichton - The Last Roman
Jonathan Moeller - The Tower of Endless Worlds
Maree Anderson - Seer's Hope
Joseph Lallo - The Book of Deacon
TC Southwell - The Queen's Blade
Brian S. Pratt - The Unsuspecting Mage
Richard L. Sanders - The Phoenix Conspiracy
Sarah Woodbury - Daughter in Time
Michael Wallace - The Dark Citadel
TC Southwell - The Queen of Arlin
TC Southwell - The Broken World
Tara Brown - Cursed
Jessica Sorensen - Darkness Falls
Michael R. Hicks - First Contact (In Her Name: The Last War)
Paranormal Romance
Nicky Charles - Bonded
Erica Stevens - Captured
Kira Saito - Bound
Jessica Sorensen - Shattered Promises
Addison Moore - Ethereal
Rebecca Ethington - Kiss of Fire
Tenaya Jayne - Forbidden Forest
Claudy Conn - ShadowLove Stalkers
Maree Anderson - The Crystal Warrior
Lacey Weatherford - Of Witches and Warlocks: The Trouble with Spells
Kristen Middleton - Blur (Night Roamers)
Tara Brown - Cursed (Book 1 of the Devil's Roses)
M. Leighton - Madly
Rachel Higginson - Love and Decay
Teen Fiction
Chanda Hahn - UnEnchanted
GJ Walker-Smith - Saving Wishes
Quinn Loftis - Prince of Wolves
Amy Miles - Forbidden
Tracie Puckett - The New Girl
Jessica Sorenson - The Fallen Star
Julia Templeton - The Deepest Cut
Penelope Fletcher - Glamour
Kira Saito - Bound
Shelly Crane - Significance
Erica Stevens - Kindred
Melanie Nilles - Starfire Angels
Kaitlyn Davis - Ignite
Christie Anderson - Deep Blue Secret
K.A. Tucker - Anathema
Devyn Dawson - The Light Tamer
M. Leighton - Blood Like Poison: For The Love of a Vampire
Sophie Davis - Talented
India Lee - Hidden Gem
Elaine Pierson - Growl
Claire Farrell - Verity
M. Leighton - Madly
Jessica Sorenson - Ember
Jamie Campbell - Ignite
Sandra Thompson - The Ghostly Grammar Boy
Alicia Michaels - The Bionics
Ashlyn Daube - The Circle
Most of the titles above are also featured in Australia's and New Zealand's FIRST IN A SERIES FREE promotion. As a bonus, Australia/NZ features an additional category for Fiction, which includes the following Smashwords authors:
Free Series Starters - Fiction
Shayne Parkinson - Sentence of Marriage
Brian K. Larson - The Secret of Crystal
Congratulations to all featured authors, and thanks to the great team at Apple for their tremendous support of Smashwords authors!
If you're one of the lucky authors above, be sure to celebrate with your fans. Right mouse click the titles above to copy the direct hyperlink to the book. Just a quick reminder also to refer to the store as either iBooks (‘Download on iBooks’) or the iBooks Store (‘Available on the iBooks Store’), and not iTunes.
Tuesday, March 11, 2014
Indie Ebook Author Community to Earn More than Traditional Ebook Authors
Today, I'm looking at the implications of this from another angle - author earnings. Hugh Howey has recently lavished some welcome attention on this question at his AuthorEarnings.com web site (I examined the resulting uproar at Hugh Howey and the Indie Author Revolt).
One of the commonly cited advantages of indie ebook publishing is that indies earn much higher "royalty" rates than traditionally published authors. Smashwords authors typically earn 60-80% of the list price, versus traditionally published authors who earn 12.5% to 17.5% of the list price. The rate paid by the publisher depends on whether their publisher is selling books under the wholesale or agency models.
Let's put some numbers on the bones of these percentages. A Smashwords-distributed author earns $2.40 on a $3.99 ebook sold through one of our retailer partners, whereas a traditionally published author would earn about 50-70 cents. In order for the traditionally published ebook author to earn the same $2.40, their ebook would have to be priced between $13.71 and $19.20. This explains why talented authors are feeling such strong economic incentive to go indie. Indies can price their product lower, but still earn more per unit sold than they can earn from traditional publishers who overprice their books yet continue to offer a small royalty percentage.
The chart at the top of this page is generated off of the same estimates that created the chart at left which I first shared in last week's post.
The chart at top was created by multiplying the percentage of the market going to indie ebook authors (at left) by 60%, and the percentage going to traditional authors by 15%.
These percentages are approximations based on the spreads I mentioned above.
You can download my spreadsheet to develop and share your own estimates. Nothing would make me happier than for someone with better numbers to prove that my 2013 indie ebook market share estimate of 15% is too high (it would mean Smashwords authors have more upside in the future!).
I am confident, however, that the 10 winds of change I identified in the last post will lead indies to capture increased market share in the years ahead.
What's initially striking to me from the new chart at the top of the page is that 2014 could be the first year that the total dollars earned by indies at retail will equal dollars earned by traditional authors. For 2020, the indie ebook community could earn almost four times more than the traditionally published ebook community will earn if indie ebook authors achieve the 50% market share I predict.
The next most striking thing is the slope of the curves. Note how steep the slope is for indie authors. The linear market share growth I modeled for indies in last week's chart leads to a bigger differential in this week's chart in terms of the dollars going into indie authors' pockets vs. traditional authors' pockets. In plain English, for every retail dollar that shifts to an indie ebook, the author earns 60 cents. For every dollar that goes to a traditionally published ebook, the author only earns 15 cents.
My charts and assumptions are not without their limitations. My numbers don't attempt to incorporate unearned advances, for example. It's common for publishers to pay authors advances that are never earned out by book sales. In such situations, the stated royalty percent underestimates what the author earned (it also represents a failure of the publisher to accurately estimate the commercial potential of a book).
An additional limitation of today's chart is that I'm assuming the current royalty rates stay the same. This is a dangerous assumption. If Amazon lowers ebook rates like it lowered Audible audiobook rates the other week, Amazon would break my model and break the banks of many authors. Or, traditional publishers could heed the call of writers to increase their ebook royalty rates. Or, everyone could raise royalties.
My projections paint a picture of an indie author community poised to capture an ever-larger share of ebook profits if print continues to decline in importance.
But this does not mean that indie authorship is the road to riches. The rise of self-published ebooks will lead to a glut of high-quality books that never go out of print. These books, combined with the ebook releases of traditional publishers, will accumulate on ebook retailer shelves and lead to more high-quality ebooks competing for a limited number of reader eyeballs. It means readers will become more discerning. It means all authors - indie or otherwise - will face more intense competition than ever before.
Good books aren't good enough anymore. Readers want wow books. Indies will deliver.
Wednesday, March 5, 2014
10 Reasons Indie Authors Will Capture 50% of the Ebook Market by 2020
I think indie ebooks will account for 50% of ebook sales by 2020.
What do you think?
On one side of the debate, you have folks such as myself who believe all signs point toward indie ebook authors capturing an ever-greater percentage of the ebook market.
On the other side you have folks who think self publishing represents an insignificant portion of the book market. The naysayers think we indie optimists are delusional.
Could both sides be right? Yes, if you look at the numbers as they stand today, and no if you look at the trends.
When you look at the trends, a new picture emerges. Yes, I understand it can be dangerous to extrapolate trends. Any number of events can strike to disrupt or reverse a trend. But if you have confidence in the drivers of a trend, and you think the wind in the sails of these drivers will blow stronger not weaker, then the future becomes plain as day.
Today I'm contributing to the discussion by offering up a downloadable spreadsheet you can use to become your very own ebook pundit. Click here to download my spreadsheet at Dropbox.
After you download the spreadsheet, open it and simply enter your estimates into the yellow cells.
You'll place your estimates in two rows: 1. In row 11, you'll estimate the percentage of trade book sales represented by print books (as you probably know, the term "trade book" refers to consumer books typically purchased through bookstores). 2. In row 13, you'll estimate the percentage of ebook market sales earned by indie ebook authors.
Enter your numbers for each year from 2008 to 2020.
From these two rows of estimates, the spreadsheet will calculate:
- The percentage of trade book market sales represented by ebooks
- The percentage of the overall trade book market represented by indie authors
- The percentage of the overall trade book market represented by traditional publishers
My estimates, and my pretty chart, are at the top of this post.
I'm estimating ebooks for 2013 represented 30% of the overall US trade book market, and print books accounted for 70%. Indie authors don't have access to print distribution for brick and mortars, so I've omitted any indie credit for print in my estimates.
I'm estimating indie authors represented 15% of the ebook market. Using these numbers, that means sales of self-published authors on the strength of ebooks alone accounted for 4.5% of the US trade book market for 2013. If my estimate is correct, it explains why publishers have maintained their intransigence when it comes to reforming their royalty rates and other business practices for which indies are now losing patience.
It's easy for a naysayer to poo-poo this 4.5% as evidence that despite all the noise about the indie revolution, traditional publishing is still the main game in town. Do these naysayers see the writing on the wall of where this is all leading?
There are some early signs publishers are beginning to feel the heat from self published authors, and it comes from Harlequin, the grand dame of romance publishing. In Harlequin's management discussion portion of its 2013 earnings announcement (released March 4, 2014), the company for first time cited self publishing as a potential competitive risk: "The proliferation of less expensive, and free, self-published works could negatively impact Harlequin’s revenues in the future." (hat tip Publishers Lunch). View the report here (opens a PDF).
I'm sure there will be those who criticize my 2013-2020 estimates for being wildly optimistic, or crazily conservative. Only time will tell. My primary concerns are the general trends, the drivers of these trends, and what these trends mean for the writers we serve.
As I look to the future, I think the numbers start looking really exciting if you're in the indie author's shoes, and scary if you're a Big 5 publisher. In my spreadsheet, I see indie authors accounting for 50% of ebook sales by the year 2020. I think my estimates are fairly conservative. Some people today think indie ebooks already account for 25% or more of ebook sales. I'm modeling a steady but gradual shift from print to ebooks, and a steady but gradual increase in the indie ebook market share.
If my projections come to pass, indie authors will control over one third (35%) of the overall trade book market in seven years. Go ahead, call me crazy or delusional. I don't mind.
Below, I'll explain why my numbers are more achievable than the naysayers think.
10 Reasons Indie Authors Will Capture Half of the Ebook Market by 2020
- Print will continue to decline as a book-reading format as more readers transition to screens. The transition to screens will be driven by the low prices, selection, exceptional discoverability and instant reading pleasure delivered by ebooks.
- Brick and mortar bookstores will continue their march into the sunset with more store closures. I'm not happy about this, but I don't see the trend reversing unless bookstores start serving wine and pot brownies in their cafes.
- The perceived value of publishers will decline in the eyes of writers as the importance of print distribution declines. Print distribution is an important glue that holds many writers to their traditional publishers. When publisher stickiness decreases, writers will be tempted to explore the indie author camp.
- Indie authors have learned to publish like professionals, which means self publishing will lead to more better books, and more diversity of better books. The professionalism and sophistication of indie authors has increased dramatically in the six years since we launched Smashwords, and this professionalism will increase in the future as indies pioneer tomorrow's best practices. These authors are publishing books that are quality-competitive with traditionally published books, but priced dramatically lower. As a result, these authors have the ability to under-price, outsell and out-compete the ebooks from traditional publishers. It means indie authors will have platform-building advantages over traditionally published authors.
- The number of self-published ebooks will explode, and these ebooks will continue to enjoy democratized access to professional publishing and distribution tools such as Smashwords, and democratized access to global online retail distribution (every major ebook store wants to carry self-published ebooks). Every author - even indie authors - will face increased competition from the glut of high quality works that never go out of print.
- The most successful indie authors are mentoring the next generation of authors. Indie authors act like a vast publishing collective of writers helping writers.
- The stigma once associated with self publishing is melting away at the same time the stigma of traditional publishing is on the rise. Indie authors are in the cool kids club now. They know they can publish with pride and professionalism, and they're developing teflon skin that deflects the once ego-bruising criticism levied by self publishing naysayers. If you haven't been to a writers conference lately, go to one. A few years ago, writers would leave conferences depressed in the knowledge that their dream agent only accepts one in 10,000 queries. Today, writers attend conferences and learn to self publish like a pro. They leave the conference upbeat in the knowledge that one way or another, they'll publish their book their way.
- Writers are discovering the joy of self publishing. If publishers are from Mars, authors are from Venus. They speak different languages and hold different values. The rewards of self publishing transcend the conventional and myopic commercial metric value systems of publishers. Indie authors are enjoying total creative control, faster time to market, ownership over their publishing future, and the flexibility to innovate and evolve their immortal ebooks which will never go out of print. Indie authors enjoy the freedom to serve their fans as they want to serve them. Icing on the indie author's cake: Indie ebook authors earn royalty rates 4-5 times higher than they'd earn from traditional publishers.
- Readers don't care about the publisher name on the ebook's virtual spine. The brand they care about is the author brand. Indie authors are learning to build their own brands.
- The growing rift between writers and publishers will cause the next generation of writers to avoid shopping their books to publishers, and will undermine the goodwill of writers who until now have been loyal to their traditional publishers. Writers are angry. After centuries of living on the bottom rung of the publishing ladder, they're feeling their oats and relishing their new-found power and respect. I wrote about this last week for Publishers Weekly in my opinion piece, Hugh Howey and the Indie Author Revolt (may require registration).
Have fun with your punditry! I look forward to hearing all views, especially if you don't agree with me.
READ NEXT: Read my follow-on to this post, Indie Ebook Author Community to Earn More than Traditional Ebook Authors
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